Dr Usha (Kaul) Kapuria

Writer | Ex-Principal | Existential Conundrumist.

[ॐ𝐑𝐮𝐝𝐫𝐚⁴𝐔ॐ @Rudra04shiva]

Watch this
Peak detailing of Namit & nitesh , before you watch the movie
#RamayanaMovie #RamayanaPartOne

[Deepak Chaurasia @DChaurasia2312]

रिपोर्टर मैं हूं लेकिन सबसे तेज चैनल आपका है प्रघानमंत्री जी...लंबे अरसे बाद मिला लेकिन आपको पूरी खबर थी...आपने वही तीन दशक पुराने आत्मीयता के साथ सर्जरी और स्वास्थ्य दोनों के बारे में पूछा...आपका ये अपनापन विपरीत हालातों में लड़ने का हौसला देता है...एक बात और...बहुत प्रधानमंत्रियों और नेताओं के रोजा-इफ्तार देखे लेकिन आपने पहले कार्यकाल से दीपावली मिलन की जो परम्परा शुरू की उसने अपनी एक अमिट छाप छोड़ी है.
आपका बहुत धन्यवाद
#pmmodi
#bjpdiwali
#Modi
#bjp4india
@narendramodi
@PMOIndia
@BJP4India

[Dr Usha (Kaul) Kapuria @drkapuria]

@rishibagree @avidandiya He is a nasty fellow

[Rishi Bagree @rishibagree]

Resident Indian Americans in the US just called out and exposed Congress bootlicker @avidandiya’s New Jersey Diwali propaganda and the whole anti-India smear campaign he’s been running.

[Dr Usha (Kaul) Kapuria @drkapuria]

@RGVzoomin Such a sustained and brilliant review!

[Ram Gopal Varma @RGVzoomin]

Watched #Ramayana for the 2nd time and incidentally I am an atheist and so this analysis is from a film watcher and not as a ram bhakt
While other reviews grudgingly note its scale and then hedge with “but the soul is missing” or “music could be better ,” etc , what they are missing is that the soul is in the scale and the emotion is in the humongous ambition of all the wonderfully talented people behind the making of this film

@NiteshTiwari22 and @NamitMalhotra have achieved what no one in Indian cinema never even dreamt of.. They have taken the devotional Juice from a well known epic and placed it on a canvas that made me as a viewer feel , the greatest Hollywood films as stage plays.

The opening cosmic battle, Ravana’s ten heads materialising not as a gimmick but as a living expression of knowledge and internal conflicts, the forests that feel more creature like themselves than the creatures they host , and standing high above all the breath stopping climactic Jatayu sequence … these are not mere Vfx effects. They are actually galactic events of the future brightness of Indian cinematic cosmos

This is Namit Malhotra’s slap on the faces and a kick in the crotches of Bollywoodians to wake them up from their lazy slumberness to show them what all is possible it there’s a will
@TheNameisYash ‘s Ravana is not a performance of the year, but it is of many decades .. I say that because I simply can’t remember anything I ever saw with his kind of a electrifying effect ever since I started watching cinema
He does not play a villain. He plays a man who has earned his power through penance, intelligence, and a refusal to bow .. The backstory the trauma, the devotion to Shiva, the ambition that becomes a prison , brilliantly written by #SridharRaghavan has been enacted with a combination of both a crystal clear clarity along with a monstrous force of reaching far beyond an objective destination so colourfully displayed with magnetic precision when he intrinsically ponders with his ten heads before taking the decision of kidnapping Sita ..

Every review that calls him the show stealer is correct, but what they missed is the larger picture that his portrayal made Ravana look like the gravitational centre of Rama
In short there’s no Rama without Ravana

Ranbir Kapoor’s Ram is the necessary counterweight against the worldly evils which anyway was the whole point of his godly status
Critics who wanted constant emoting from Ranbir saying he’s got same expression throughout are flmissing the point that Ram is defined by what he withholds and not by what he expresses
His quiet acceptance of the exile, his controlled violence in the forest sequences, his stillness that so wonderfully contained an absolute certainty is the hardest thing to play for an actor because when he finally acts , it’s not his arrows alone which find their mark , but more than that its his principles which pierce
What I loved about @HansZimmer and @arrahman is that they did not compete with the imagery but they rather flowed with it. The score does not try to reinvent devotion. It just amplifies the existing mass of the specific emotion and more importantly pin points the choices of its characters .. Songs that feel “functional” to some critics are doing the correct job because they do not interrupt the momentum of a three hour epic that is slowly building towards a confrontation
The Tandav energy and the aerial combat cues strike hard with a never before seen or experienced force.
In a film this large, restraint in the music is not a lay back , but It is a volatile high energy concoction of discipline and strategy
In my not so humble opinion what the negative reviews state as problems are actually the film’s real strengths.
The so called length is very necessary because one cannot establish Ravana’s scale and then compress Ram’s exile into just a highlight reel without losing the predicament of an impending inevitability .
I love Tiwari because he refuses to cheapen the moral stakes and turn the story into a masala action drama and the result of that conviction of his is a film that can be watched by families , youngsters , Gen Z etc etc and still hit the front benchers of the small and tiny towns .

This is the first ever Indian film that can stand above each and every large scale international production with its head held high and with an immense pride .
That’s because it does not borrow the language of the Lord of the Rings or Avatar . Instead it takes inspirations to dig into its own rich Indian backyard with the greatest ever stories which have been waiting to be excavated
Reviews might have given 2,3,5 whatever starts but I feel It’s an insult to india and it’s cinema to review this film
The negative reviewers are looking at a mountain and complaining that the path is steep and uneven but that’s because they are too small in comparison to the garangutan architects who built this mountainous Taj Mahal of cinema

Ramayana: Part 1 is the opening statement of a new standard for Indian cinema and whatever film will be made after November 5 th will now be measured against it , and the only thing which will destroy Ramayana part 1 will be Ramayana part 2 🙏🙏🙏

[Raylan Givens @JewishWarrior13]

🚨An unusual incident unfolded at Arlington National Cemetery today following the Veterans Day ceremony.

A U.S. Army sentinel guarding the Tomb of the Unknown Soldier publicly reprimanded Defense Secretary Pete Hegseth, his wife Jennifer, and members of his entourage after some in the group were seen talking and laughing while taking photographs near the sacred memorial.

Stopping his patrol and turning toward the group, the soldier shouted:

"All visitors will maintain an atmosphere of silence and respect at all times!"

The Tomb of the Unknown Soldier is one of America's most sacred military memorials, and its sentinels enforce the same standards of respect for everyone, regardless of rank or position.

[Punam Keshari 🦋 @Punam_Keshari01]

राधिका खेड़ा तो बहुत खतरनाक रोल प्ले कर गईं। AAP के आशुतोष का कांग्रेसी सुरजेवाला से पिछला दरवाजा से ILU ILU ❤️ का खेल उजागर कर दी।
रही सही आनंद रंगनाथन "सड़कछाप" कह दिये और जो बचा था वो नाविका ma'am पूरा कर दी😂

[News Algebra @NewsAlgebraIND]

AYODHYA REPORTER : Why are you extracting oil from the Diyas. You should atleast wait for the lamps to go out 🤯

FATIMA & NAZIMA : Bhaijaan, it is important for us.

[Ram Gopal Varma @RGVzoomin]

The #Ramayana is not a devotional film. It is a devotional force.The hero is not a blue god floating above the story. He is a man who has already seen the end of the world and still willfully chooses to walk into it.
The rise is not of a kingdom. It is of a mind that challenges weakness. Every frame carries the weight of someone who has burned the old rules and is now moving only by the logic of power . The violence is not spectacle. It is the clarity of consequences
What separates this from every other cinematic telling is that In a time when most films are still wary to move , this one simply moves. It does not explain itself. That is why it hits harder than anything that has come before it.
You do not leave the film having watched a story. You leave it after living an experience

Ranbir In the sequence after Sita’s abduction, when he stands in the empty ashram and simply looks at the place where she was, the camera holds long enough to show that grief has already been converted into a arithmetic
Yash does not play opposition. He plays the mind that has already accepted what it decided to destroy. In the long confrontation before the final night, when he speaks to Ram across the open ground with no army between them, he does not raise his voice. He simply states the price. The face never flinches. The body never shifts.
@AnupamPkher in Jatayu’s interception of the pushpak is not an act of mere loyalty. Wings half broken, bloodied, he keeps on coming because the mind has not yet accepted what the body is telling it. When he falls, the camera stays on the face. There is no cry. There is only the last argument continuing behind the eyes after his wings have stopped. That is not sacrifice. That is a man who understood the only rule left is to continue until you cannot.

All in all I want to say this to each and everyone of all the greats who collaborated to make this great film is to treat any and all negative critics of this film as barking street dogs against the elephantine effort you all put in to create this magnifique piece of WONDER🙏🙏🙏🙏🙏

[महावीर, ಮಹಾವೀರ, Mahavir @Mahaveer_VJ]

Long Live Honourable ADVANI ji

[Saynotolibrandu @saynotolibrandu]

"With regard to Hindus and Sanatana Dharma, the shame of having repudiated our own gods results in a combination revulsion and resentment." 👏

Trust me, every Sanatani understands this feeling completely. Perhaps it's because our ancestors, even in the middle of an immense struggle, wrestled with this exact thought and chose to resist with greater force, giving up on Dharma was an option too dark to even consider.

You've probably seen those toxic posts online where Hindus are dehumanized in ways you rarely see anywhere else. Or those videos of random trolls shouting racist slurs at us, yet most of the time, our response is calm and dignified. Sometimes people respond with sharp, angry pushback, but that's because we know who we are. We understand our own truth and the internal conflicts of the Abrahamic faiths.

What keeps us standing strong is simple: we refuse to let down the sacrifices and wisdom of our ancestors. A conscious mind can't just throw that away without creating the kind of spiritual and cultural void currently tearing through the Western world and the Middle East.

People can fantasize all day about destroying Sanatana Dharma, but the truth is right in the name: it's eternal.😏

Fantastic write-up, definitely a must-read! ✌️

[Aaraam Pasand @aaraam_pasand]

Ramayana Honest Review by cigarette agent Ravi Gupta @shudhdesicomic /IG

[RP Singh National Spokesperson BJP @rpsinghkhalsa]

Perhaps the most revealing admission about PM Narendra Modi’s welfare model comes from senior journalist Shekhar Gupta himself.
He admitted: “We journalists and commentariat chose not to see it. Even when we see it, we compulsively try to deny it.”
While the Lutyens’ commentariat remained busy questioning Modi, millions of Indians experienced the impact of Jan Dhan, Ujjwala, Mudra, PM Awas and Direct Benefit Transfers.
The media debated the politics; the poor experienced the delivery.
The beneficiaries recognised the change long before the commentariat chose to acknowledge it.

[Ratan lal @sir_naga_ji]

सबसे पहले तो जिस भाई ने पेसे दिया उनका धन्यवाद...

और जरूरी सूचना उन चोरौ को जो इन जेसे लड़कों को लूट लेते हैं...

अगर सच मे आप चोर हो तो उनको लूट के दिखाओ जो.. देश की गरीब जनता को लूट रहे हैं...

[Sanatan Dharma @_SanatanDharma]

A true warrior is defined by their contribution to society and the nation, not merely by the fame they gain in the entertainment industry.
People like Sanjeev Newar, who dedicate themselves to serving the nation and protecting its civilisational values, deserve greater respect and recognition.
Maa Sita is revered for her character, sacrifice, devotion and dignity, not for her appearance or hairstyle.
Let us honour those who work for our nation and culture, and reject entertainers who disregard our civilisational values.

[pushpa @mahadev_1611]

वाह बहन !! इसको कहते हैं रिन की सफाई.... जबरदस्त धोया है नेहा बोरा को !! 👌😎🙌

[Anurag Jaitly 🇮🇳 🚩 @PrimorOne]

This is how Nehru surrendered India’s UNSC membership to China because he was a chicken !! 😡

People want proof?!

Here is the proof in his own words: 👇👇👇

And people of India still want to hand over the reigns of the country to 4th or 5th generation of the same family.

#IndiaUNSC

[Sanju Verma @Sanju_Verma_]

#AratiJerath said we should be "civilised" after I called Neha Bora a LEFTIST LUNATIC

Civilised? Really? Bora,has audacity to say, "Mandiron mein pujari rapes karte hain", so should I applaud her?

But that was not all..Jerath lost it after i called her a DARBAARI..good fun:):)

[Abhishek Kumar Kushwaha @TheAbhishek_IND]

रूबिका ने कर दी तगड़ी कुटाई!

खी..खी..खी.. करने नहीं बुलाया है तुम्हें, प्रियंका भारती!

रोहिणी आचार्य पर हंस रही प्रवक्ता को रुबिका ने सिखाया सबक।
#RubikaLiyaquat #RohiniAcharya #PriyankaBharti #NewsDebate #ViralVideo
@RubikaLiyaquat