Michael B. Jordan is busier than ever—finishing his reimagination of “The Thomas Crown Affair,” for which he is doing triple duty as actor, producer, and director; shooting a reboot of “Miami Vice” costarring Austin Butler; and producing “Delphi,” a “Creed” franchise spin-off set in a boxing gym. Then what? “That’s probably when I’m going to do more reflecting and processing of all of this,” he says, “Because honestly, it’s been—I’ve been moving.” https://t.co/mdotU1aynl
Kaia Gerber and Homer Gere could not have come to “The Shards,” Ryan Murphy’s alluring new adaptation of Bret Easton Ellis’s 2023 novel, with more different CVs. Gerber, the daughter of Cindy Crawford and Rande Gerber, has modeled since she was 10 and performed in two previous Murphy productions, among other television and film work. Gere, the son of Richard Gere and actress Carey Lowell, meanwhile, was raised in quiet Pound Ridge, New York, and had never been on a professional set until last summer. https://t.co/nGp70SzuiH
Anok Yai is living the American dream.
She has become the fashion face of her generation—a supermodel who is also an immigrant, daughter of South Sudanese refugees, and citizen of the United States.
“Like Yai,” Vanity Fair’s José Criales-Unzueta writes, “I am an immigrant; unlike her, I did not grow up in the United States. But we share an indelible part of the American experience: This country afforded us the space and the opportunity to become. Our generation has a contentious relationship with Americanness and its symbols, which have been co-opted by a pocket of this country that does not always represent people like Yai or me—or those with less privilege and therefore less opportunity. A pocket that demonstrably does not want us here. But in Yai’s story, and in my own as I write this today, I see the realization of the dream we were both promised.”
https://t.co/Q8LjgY1Tzo
The leading men of The Odyssey: Matt Damon, Robert Pattinson, and Tom Holland, shot by Alex Prager for the Summer 2026 issue of GQ https://t.co/JyXzHJW5hR
As the brightest star on the men’s tennis scene, Carlos Alcaraz draws attention whether he likes it or not.
For VF’s upcoming Sports Issue, José Criales-Unzueta speaks to the Spaniard about his rise to number one and his rivalry with Jannik Sinner that promises the future of his sport https://t.co/k0AmvrnNcm
Presenting Rolling Stone's biggest cover ever: @bts_bighit for May 2026 💜
How did the world’s biggest band reclaim their crown? By overcoming doubt & returning to their roots on an adventurous album. #방탄소년단 #BTS
Cover story: https://t.co/bc0v3QCNYF
Video interview:
https://t.co/Mf1kyq2bgD
What happens when you put Meryl Streep and Anna Wintour—the two Mirandas, as it were—in a room together? A wide-ranging conversation about fashion, family, friendship, and yes, the forthcoming sequel to “The Devil Wears Prada.”
“In terms of Miranda, and coming back to that character 20 years later, I did think honestly about Anna, and tried to imagine what it was like to carry her responsibility and to be as interested in the world and curious as she must have to be,” Streep tells Greta Gerwig in Vogue’s May 2026 cover story. And what did Wintour do when she heard the rumours that “The Devil Wears Prada 2” was happening? She called Streep, of course. “I knew she would tell me if it was going to be all right,” Wintour says. “I trusted her implicitly.”
Read the full story at the link below: https://t.co/quxBRjBt6t
Welcome to Robert Pattinson and Zendaya’s first interview about The Drama, Kristoffer Borgli’s twisted romance that brings the two superstars face-to-face as a couple in freefall. For our March cover story, the pair do their best to get into promo mode, and confront the absurdity of selling something they don’t yet know how to explain.
Happy Valentine’s Day from VF and Margaret Qualley ♥️
At https://t.co/JgGnbykZGz, our March Issue cover star sits down with Vanity Fair’s @marisameltzer to talk work, surrender, and the actor’s long list of loves—including the moon, horses, female friendship, and anything her husband, Jack Antonoff, writes
https://t.co/u18vhajOix