deedz

gALaCtiC tEnDriLs 🐙🌌

[deedz @duttydeedz]

1/
In the traditional art world, the “white cube” gallery reigns supreme - pristine white walls bestowing prestige on whatever hangs there.
But on Bitcoin, a new kind of gallery is emerging - one without walls, gatekeepers, or curators. A thread 🧵👇

[deedz @duttydeedz]

Thank you @perena for this super cute Axolotl plushie, from a petal collector since pre season! 🌼 @Perenimals

[deedz @duttydeedz]

Major shoutout to @527hats for this FIRE custom ☢️@OrdinalMaxiBiz 1/1 hat 🔥🔥🔥! Insane quality and so damn clean! Seriously the best merch in web3, no competition! LFG 🫡

[Artifishal @artifishalart]

🔊ARTIFISHAL ANNOUNCEMENT OF FACTS:

i am producing art.
collectors are collecting the art.
communication has occurred between me and the collectors.

messages were exchanged.
time passed.
familiarity increased.

connections did not remain static.
they grew slowly and without force.

what began as collection activity
has developed into trust, care, and friendship.

this growth was not planned.
it is still occurring.

process continues. 🌱

[NO LEGS @boywithnolegs]

CULTURE SCULPTURES
A collection by NO LEGS

33 pop culture inspired pieces
Releasing FEBRUARY 11TH

[deedz @duttydeedz]

The Light Falls Like Something Alive. Whatever Is Coming Has Already Chosen Them.

FEAST OF STARS from NOT SAINTS by @artifishalart

@notsaintsart

Lowkey @OrdinalMaxiBiz Vibes!

[deedz @duttydeedz]

When Empires Burn, Something Quieter Begins

NOT SAINTS by @artifishalart 🪽
@notsaintsart

[deedz @duttydeedz]

@24_Hours_Art LFG @artifishalart 🪽

[24 Hours of Art @24_Hours_Art]

Approach to the ART Horizon

[Artifishal @artifishalart]

AFTERFORMS

THEY
BECAME
GOLD

NOT
AS
OBJECTS

BUT
AS
EVENTS
REPEATED
TO
THE
POINT
OF
STILLNESS

NOT SAINTS. 

BOOK V: THE THEATRE OF THE AFTERLIFE.

[Artifishal @artifishalart]

THE THEATRE OF THE AFTERLIFE

SOMETHING
FELL FROM ABOVE.
NOT CONFETTI.
NOT ASH.
BUT THE REMAINDER
OF A MUSICAL RHYTHM
THAT HAD ALREADY
PASSED THROUGH.

THE STAGE
DID NOT ASK
WHO THEY HAD BEEN.
ONLY
WHETHER
THEY COULD
KEEP TIME
WITH WHAT
REMAINED.

THIS WAS CALLED
THE AFTERLIFE
BECAUSE
EVERYONE
WAS DANCING
AND NO ONE
WAS TELLING THEM
HOW TO.

NOT SAINTS.

BOOK V: THE THEATRE OF THE AFTERLIFE.

[Artifishal @artifishalart]

FOR JIM MORRISON.

---

THE DOORS (BREAK ON THROUGH)

THE DOORS APPEARED
AFTER
THE WAR STOPPED.

NOT LEADING ANYWHERE.
JUST STANDING.

ONE SIDE HELD
WHAT REMAINED.
THE OTHER
SHOWED
WHAT COULD STILL
BE IMAGINED.

SOME STEPPED THROUGH
AND DID NOT COME BACK.
SOME REFUSED
AND WERE PRAISED
FOR THEIR STRENGTH.

THE DOORS DID NOT CARE.
THEY CONTINUED
TO SEPARATE THE PEOPLE
NIGHT
FROM NIGHT.

THIS WAS CALLED
A CHOICE.

NOT SAINTS.

BOOK V: THE THEATRE OF THE AFTERLIFE.

[Artifishal @artifishalart]

Artifishal Diary Entry, December 20, 2025:

Releasing Not Saints @notsaintsart, my fifth art collection inscribed on Bitcoin and the largest so far at 133 works, has led me to pause and take stock of how the work is unfolding.

I keep returning to the same thought: repeating myself isn’t the point. Each collection begins as a genuine exploration of new ground, guided by intuition and by what the work itself reveals, rather than a fixed idea.

In other words, I don’t work toward fixed outcomes. The work takes further shape through making—through trust, attention, adjustment, and response.

Some pieces remain entirely their own; yet others inevitably carry traces of earlier work. These recurrences aren’t planned as a structure. They emerge naturally, perhaps guided by a subconscious pull toward something earlier—something that reappears not as reference, but as a reminder of who I am.

Over time, the aesthetics form their own voice. Forms, symbols, and visual rhythms evolve and change across collections, consolidating into a distinct visual language. That language isn’t imposed; it’s the project speaking. Stepping back, continuity and difference become easily legible—each collection clearly its own, yet unmistakably part of the same unfolding work.

The parent–child structure on Bitcoin reinforces this clarity. The work remains forever layered and traceable. And so, what emerges feels less like a series of isolated statements and more like an expanding field where continuity and difference coexist, telling a story of its own.

[Artifishal @artifishalart]

THE PANELS REMEMBER PEACE

THE PANELS OPEN SLOWLY,
REVEALING ONE CONTINUOUS PEACE
TAUGHT TO ITSELF THROUGH REPETITION.
YET THE RED TREE REMAINS UNABSORBED—
AN AUTUMN THAT HAS OUTLIVED ITS WEATHER,
KEEPING WATCH IN A ROOM WITHOUT TIME.

NOT SAINTS. 

BOOK IV: I AM A SURFER.

[Artifishal @artifishalart]

🪽 NOT SAINTS RARITY & TRAITS DEEP DIVE (Part 2b of 2) 🪽

At the core of Not Saints @notsaintsart are two interlocking trait systems: Persona and Taxonomy.

Persona operates both literally and symbolically. It is the surface through which a presence is read—the role, lineage, or archetype a figure or landscape assumes within the myth. Personas often register through color and atmosphere, while carrying broader symbolic resonance. Blue, for example, tends to signal proximity to the divine or generative: creation, interiority, vastness, or the infinite. Red, by contrast, often conveys intensity—force, urgency, and emotional charge. Hybrid Personas hold these states in tension, while others—Fortune, The Herald—gesture toward chance, hope, or revelation.

Taxonomy is something else entirely. Taxonomy is fate. It names the condition and space a presence truly inhabits within the world of Not Saints. The three states—In, Almost, and Out—describe position rather than appearance: belonging, suspension, and exile, respectively.

Because Taxonomy operates independently of Persona, alignment is never guaranteed—even when a Persona appears to promise it, such as a Blue Persona suggesting In. In the end, meaning and the interior life of Not Saints emerges from this misalignment—from the friction between role and condition.

[Camski @camski]

Stop laughing at kids for believing in Santa.

I know adults who still own Ordinals.

[deedz @duttydeedz]

🤣🤣

[Udi Wertheimer @udiWertheimer]

what did it cost

[Artifishal @artifishalart]

THE ARCHITECTS OF ORBIT

NOT SAINTS.

BOOK IV: I AM A SURFER.

[Not Saints @notsaintsart]

Three weeks left to go.

Ordinals are still here.

They never left.

Art on Bitcoin.

#ordinals

[Signals @SignalsArt]

Not Saints by @artifishalart (@notsaintsart) has achieved full signal, with over $10,500 in bids and an average bid/spot of $105.

With still over three weeks left for bidding, this is shaping up to be a very exciting launch!

[Artifishal @artifishalart]

Gm to all those who love Art on Bitcoin!

🧡

THE LIVING MARBLE

THE BEEHIVES HAVE MOVED ON,
BUT THEIR GIFT REMAINS:
MARBLE WARMING INTO LIVING MATTER.

THE FIRST STATUTE STIRS,
TESTING MUSCLE WHERE STONE USED TO BE.
THE SECOND LEANS TOWARD THE DOORWAY,
SENSES ALREADY REACHING BEYOND THE ROOM.

THESE ARE ONLY THE BEGINNING—THE FIRST CITIZENS OF A SPECIES
THE WORLD HAS NOT YET NAMED.

NOT SAINTS.

BOOK III: THE MAKER OF UNICORNS.