“We did 12-16 weeks of tests for the show and we found ACES worked really well for us using the RED camera and Baselight.”
Erik Messerschmidt, DP, Mindhunter Season 2. Thanks to @Dolby for a great panel today! #RED_Cinema#Baselight#Dolby#AcademyACES#IBCShow
MINDHUNTER (2017)
Cinematography by Erik Messerschmidt
Directed by David Fincher
From "Episode 10"
Explore more shots in our database: https://t.co/z8qbeAhwjA
Lurking in the shadows is the custom RED XENOMORPH, built for David Fincher, used to shoot Netflix’s Mindhunter.
Cinematographer Erik Messerschmidt discusses crafting the look for Mindhunter. Read the interview here: https://t.co/DJMEYrWe3F
Reminder: Our next LiteGear Live conversation is with Cinematographer Erik Messerschmidt, ASC, and CLT Danny Gonzalez on April 22nd at 10:30 am PST. We’ll be discussing their work on the popular Netflix series, Mindhunter. Don’t forget to register https://t.co/Xz1K3cycQB
The ASC has formed a new Future Practices Committee to help voice concerns in this vital discussion about how production should reopen and move forward, chaired by Society members Amy Vincent and Erik Messerschmidt: https://t.co/NywmUjgIPI #TheASC
Wednesday! April 22nd at 10:30 am PST Come join our next LiteGear Live conversation with Cinematographer Erik Messerschmidt, ASC, and CLT Danny Gonzalez discussing their work on the popular Netflix series, Mindhunter. To register, go to https://t.co/HsrPFCl48C and register!
WATCH Behind the Look w/ Erik Messerschmidt, ASC who tells an elegant visual sensibility to the #Netflix series MINDHUNTER. We screen & breakdown pivotal shots from Season 2 of this crime thriller & discuss what it’s like to collaborate w/ David Fincher.
https://t.co/Me2hrJYK80
We spoke w/ #Mindhunter cinematographer Erik Messerschmidt about expanding the show's scope in Season 2, that incredible car interrogation, a potential Season 3, and David Fincher's new film 'Mank': https://t.co/lpGD3hDJOr