niɒi

precarious academic (music, philosophy, art). just some fella

[Theory, Culture & Society @TCSjournalSAGE]

Read: Ole Thijs' review of Natasha Lushetich, Iain Campbell and Dominic Smith's (eds.) 'Contingency and Plasticity in Everyday Technologies'. https://t.co/vMIFVLsrUL

[Scottish PSC @scottishpsc]

Emergency call out to Edinburgh!

[michaela okland @MichaelaOkla]

Instagram put up a new “limit political content” feature in settings and set it as the default for tons of accounts. The timing of this feature is very suspect to me, but anyway here is how to fix it

[niɒi @eeeeeein]

my own article adds to an emerging mini-field of scholarship on John Cage's works for plant materials (cf @AnthonyGritten and others), using them as a route into thinking about musical instruments, 'nature', and some other stuff

https://t.co/LDIHL0Hhhn

[niɒi @eeeeeein]

as a last hurrah for my 'Future of Indeterminacy' postdoc, I've co-edited this special journal issue on the theme 'Probability and Agency' - lots of interesting stuff on statistics, data visualisation, distributed agency, biopolitics, entropy, and more

https://t.co/ydZvC2Kuto

[niɒi @eeeeeein]

good morning from the fluff cuboid

[niɒi @eeeeeein]

I'm pleased to see this extremely long in the works article - a couple of complete rewrites and a couple of years in the publishing queue - out in the latest Deleuze and Guattari Studies. On the notion of rhythm in Deleuze's book on Francis Bacon

https://t.co/Ocf6Y3BSDY

[niɒi @eeeeeein]

I'm pleased to see this extremely long in the works article - a couple of complete rewrites and a couple of years in the publishing queue - out in the latest Deleuze and Guattari Studies. On the notion of rhythm in Deleuze's book on Francis Bacon

https://t.co/Ocf6Y3BSDY

[niɒi @eeeeeein]

constantly innovating new ways to be bad

[niɒi @eeeeeein]

after enjoying a protest-filled graduation with doctorb @thrillith

[niɒi @eeeeeein]

sure the marking and assessment boycott is cutting my wages in half, but at least i have my publication royalties to fall back on

[niɒi @eeeeeein]

it’s the traditional first sign of summer - elsie contorting herself in the sunlight

[niɒi @eeeeeein]

i'm looking for images for the talk i'm giving later, but having seen this i now want to dedicate my day to investigating robert rauschenberg's vibes c. 1990

[niɒi @eeeeeein]

Edinburgh people and people with an internet connection - next Thursday I'll be speaking on John Cage's Variations VII and some as-yet-undecided balance of themes between music+technology, performance practices, and the politics of cybernetics. Come along: https://t.co/t38Ooqta9j

[niɒi @eeeeeein]

@saysvera @thrillith the brand is Parastone, but I just got it from our friend Am*zon

[niɒi @eeeeeein]

Edinburgh people and people with an internet connection - next Thursday I'll be speaking on John Cage's Variations VII and some as-yet-undecided balance of themes between music+technology, performance practices, and the politics of cybernetics. Come along: https://t.co/t38Ooqta9j

[niɒi @eeeeeein]

@SteveTromans I think Dialogues II just adds the final two essays. Why, I'm not sure - they don't obviously have anything to do with the rest

[niɒi @eeeeeein]

preparing for my final class before Wrestlemania weekend

[niɒi @eeeeeein]

Three Studies of a Belsie

[niɒi @eeeeeein]

this Friday (1-2pm GMT) we're having an online launch for the 'Contingency and Plasticity in Everyday Technologies' volume I co-edited - sign up to hear from people such as Franco 'Bifo' Berardi and Sha Xin Wei: https://t.co/vUwqq53vWa