El Séptimo Vicio

Noticias del mundo del cine y la televisión.
Programa de radio dedicado al cine, todos los sábados a las 3 PM en Red Radio UdG.
IG: @7vicio
FB: @el7vicio

[El Séptimo Vicio @el7vicio]

En EL SÉPTIMO VICIO esta semana: viaje al universo Spielberg y el estreno de El día de la revelación; espléndidas películas en plataformas: Ven a volar conmigo y Rebuilding; entérate de los estrenos que Hay que Ver en streaming. En nuestro podcast: https://t.co/h4WO74EZwk

[Espinof @espinof_com]

He empezado a ver 'The Amazing Digital Circus' y no es para mí, pero me alegra comprobar que la animación indie puede sobrevivir más allá de Disney y las grandes franquicias https://t.co/8lJPbvoVSo

[Sundance Film Festival @sundancefest]

For decades, LGBTQ+ stories have been an essential part of the Sundance Film Festival. 🏳️‍🌈

Festival Director Emeritus John Cooper reflects on that legacy and shares 400+ films to watch this #Pride Month and beyond.

Check out our @letterboxd watchlist: https://t.co/G8oNxY9Ztc

[Eduardo Marín Conde @marincine]

Comprometido, lúcido, reflejando los problemas sociales, el inglés Ken Loach cumple hoy 90 años; doble Palma de Oro en Cannes (Vientos de Libertad; Yo, Daniel Blake),director de Riff Raff, Ladybird Ladybird, Tierra de Libertad, Mi Nombre es Joe, Dulces Dieciséis, Lazos de Familia

[The Hollywood Reporter @THR]

BBC to Cut 550 Jobs, Eye More Staff Reductions, Slash Content Spend by $107M, "Review" Channels https://t.co/b1EbfzQU7o

[KΞRL_✂️ @KRL_defi_]

Quentin Tarantino says the biggest difference between TV shows and movies is that great films stay with you for life.

“Everyone talks about how great television is now, and I agree, a lot of it is really good.”

“But at the end of the day, it’s still television to me.”

“I watched Yellowstone and thought it was fantastic.”

“Kevin Costner was great, the writing was strong, and I got completely caught up in it.”

“But after a few seasons, I realized it was still basically a soap opera.”

“You learn everyone’s backstory, their relationships, and then you just follow what happens next.”

“You become invested in the characters.”

“That doesn’t mean it’s the same thing as a great movie.”

“With television, you get caught up in the drama of the moment.”

“But five years later, you usually don’t remember much of it.”

“A great movie is different.”

“You remember the story.”

“You remember specific scenes.”

“You remember how it made you feel.”

“It builds toward an emotional climax that stays with you for the rest of your life.”

[Variety @Variety]

The U.K.’s film incentives don’t just cover upfront pay for actors, writers, directors and producers — for projects with a U.K. partner, they can also cover back-end compensation, a rare perk studios find hard to pass up.

“I call it the gift that keeps on giving,” says producer Charles Roven, who shot two films in the U.K. last year. “If the project that you’re doing actually starts to make money, that rebate percentage is paid back to the company when they pay profit participants.”

Read the full cover story on the mass exodus of LA productions by @GeneMaddaus: https://t.co/wwHFxvtsaB

[Morelia Film Fest @FICM]

Del 25 de junio al 05 de julio se celebrará la tercera edición de la Semana del Cine Mexicano en Madrid, el punto de encuentro del cine mexicano contemporáneo y clásico, organizada por @casademexicoesp.

Leer más 🎬👉 [ https://t.co/9xNvdmwwh4 ]

[fernanda @aboutmonsters]

Les dejo un nuevo link para consultar mi manual para crear sus propios cinitos 📽️

Sólo les pido que si toman secciones lo citen o pongan en referencias.

Gracias por leer y compartir ❣️

Cómo montar un cine: manual para exhibidores de Fernanda Rio.

https://t.co/Vn4X4RCYhf

[Variety @Variety]

Hollywood is at risk of becoming Detroit, advocates warn, unless the U.S. responds to the 81 countries embracing filmmaking as an economic tool.

“I watched the demise of steel and rubber and automotive manufacturing as I grew up,” says IATSE vice president Mike Miller, who was raised in Cleveland. “This is identical in many ways. We have an undeclared trade war that our government is standing by and watching happen.”

Read the full cover story on the mass exodus of LA productions by @GeneMaddaus: https://t.co/wwHFxvtsaB

[Eduardo Marín Conde @marincine]

Obsesión es un fenómeno social y la película más redituable en relación costo-ingresos tras La Bruja de Blair hace 27 años. A un mes de su estreno ha cosechado 189 millones de dólares en 🇺🇸 y casi 300 millones en el mundo. ¡Y costó sólo 750 mil dólares! Será un filme de culto.

[Deadline @DEADLINE]

EXCLUSIVE: Sean Penn, coming off his third Oscar win for 'One Battle After Another,' has been quietly setting up a passion project.

The currently untitled film will follow the early life of a cop who goes on to be caught up in the January 6th Capitol riots. Penn has scripted and will direct the movie, which has five-time Oscar nominated actor Bradley Cooper in talks to star in the lead role. There’s no deal yet.

The film will re-team Penn with 'One Battle After Another' studio Warner Bros, which has acquired it in a negative pickup.

More details here: https://t.co/YrCxUdGZiD

(Photos: Getty)

[Deadline @DEADLINE]

'DTF St. Louis' and 'Black Rabbit' star Jason Bateman talks directing Tom Holland in 'The Partner,' the advice he received from Katharine Hepburn, career highs, lessons learned, and more. Read the full feature story from our Emmy preview AwardsLine issue here: https://t.co/gvc8BZ2Opq

[Cinema Tropical @CinemaTropical]

Argentine filmmaker Lucas Vignale, co-director of THE RIVER TRAIN, died at 28 in a helicopter accident in Rio de Janeiro. His debut feature premiered at the #Berlinale and later screened at New Directors / New Films, earlier this year. 🖤 https://t.co/8Sh4UDwv8W

[Eduardo Marín Conde @marincine]

En su estreno, El Día de la Revelación lidereó la taquilla de 🇺🇸 con 44 millones de dólares y casi 100 mdd a nivel mundial; necesita alrededor de 300 para ser redituable debido a su costo de 115 millones ya que sólo alrededor de 40% de los ingresos regresa a los productores.

[IndieWire @IndieWire]

IndieWire exclusively premieres the trailer for “Barrio Triste,” the feature debut from Bad Bunny collaborator STILLZ.

Executive produced by Harmony Korine and featuring the first original score by Arca, this imaginative portrait of Colombia’s youth arrives in theaters July 10.

More details: https://t.co/bLKDM9djnt

[Cinema Tropical @CinemaTropical]

Argentine filmmaker Lucas A. Vignale, co-director of THE RIVER TRAIN, died at 29 in a helicopter accident in Rio de Janeiro. The film premiered at the #Berlinale and went on to screen at @NDNF earlier this year
https://t.co/SUX30TwAx4

[cinesthetic. @TheCinesthetic]

“When my wife and I got married, we made a deal. We only smoke after sex. I’ve had the same pack since 1975. What worries me is my wife. She’s up to three packs a day.”

Classic Rodney Dangerfield on THE TONIGHT SHOW.

[Killa 🌺 @KillaKreww]

Seth Rogen opens up about his current relationship with James Franco following the sexual misconduct allegations, saying he cut ties with him, that there is more to the story than what the public knows, and that he hasn’t spoken to him in years 😳👀

“The personal side of it is just it’s so nuanced and it involves people that I don’t know if I should be dragging into this… I haven’t worked with him in a really long time and I have no plans to.”

[El Séptimo Vicio @el7vicio]

Entérate de los estrenos en streaming
en EL SÉPTIMO VICIO
cada sábado Claudia Caballero te sugiere lo que
HAY QUE VER

Red Radio Universidad de Guadalajara
104.3 FM y https://t.co/sS70iHenxk