Eventually, it’s possible to develop a sense of when an absolute banger has been made. Knowing exactly the kind of song that everyone will put in a playlist. What a rare gem!
Versus making a thing that maybe only the creator of it could truly love.
I’m so good at the latter.
People on here arguing about who made the worst song.
It’s me.
I’ve released some bad songs. I like them, that doesn’t make them good.
I’ve made EVEN WORSE songs no one has ever heard except me. Just a drum machine and me mumbling nonsense lyrics with no sense of pitch.
I’ve posted some overly serious tweets in my time.
I’ve some incoherent and embarrassingly sincere DMs.
My sense of humor is dry and remarkably stupid.
I love running a joke into the ground and through the center of the Earth.
1/6
Hatefully complaining to no one in a thread about the de facto popular content on Twitter; It has altered what I’m seeing more than the block and mute functions were doing.
Maybe the old Twitter algorithm is intact under all the chainsaw wielding billionaire’s horseshit.
I didn’t get into art because I wanted to “become a store” when I grew up.
We have to do that as musicians and it’s not really a great idea or sustainable as a living.
Not sure I want to keep stuffing the world with merch or make a cult to monetize this work.
It would be a thrill to restart regular live shows again too.
For now, please enjoy the work for 2025 "Evade' and the full-length album, 'Undead'.
Again, thank you for a decade of support and kindness. Making art without anyone to show it to or share it with is incomplete.
New releases will contain a maximum of 3 tracks.
The speed of new releases will be fully contingent on support.
Thank you to everyone that has supported this project over the years. I will make art regardless. I'd like the process to become more sustainable.