@SimonPsychosis@HairMetalGuru@Rock101KLOL Thanks Simon, I understand the reference to the image before Sunset Strip, but musically I've always struggled to grasp the influence, as it sounds very different to me from Poison or even Motley Crue. Perhaps I need to listen to a specific album.
Woof!
El single inicial del proyecto en conjunto entre John Desmore (The Doors) y Chuck D (Public Enemy) es fenomenal.
Mil veces mejor de la que esperaba, "every tick tick tick" -->>> https://t.co/PE4W0IAphF
Thelonious Monk didn’t believe in wrong notes
Critics and even fellow musicians often called his playing eccentric or “wrong”
His response was pure Monk: “The piano ain’t got no wrong notes”
He kept playing exactly what he heard — strange, angular, and changed jazz forever.
Thngs have changed drastically over the last 40 years. There is no collective way to hear music (like radio of MTV). Everyone is in their own musical bubble. There has to be a way to make music hit the masses like it used to. Who would sit through hours of videos to hear a song they like when you can just find it on line?
Kierkegaard flips the direction of the transaction entirely. Most religious practice, and most therapy too, implicitly assumes something outside the self needs to be reached or moved. He locates the entire work inside. The one who prays isn’t petitioning a distant authority but submitting to a process of interior reorganization. What changes isn’t the world, it’s the structure of attention, the hierarchy of what a person values, what they become capable of seeing. Clinically, this maps almost exactly onto what actually happens in good therapeutic work. Not insight delivered from outside, but the self slowly reorganizing from within. The form is different. The mechanism is the same.