Maria Appleton
Coding III, 2021/2023
Printed photograph in paper and plastic bags trimmed and woven in the loom with cotton, wool and linen threads, Wood and Metal frame
140 x 98 x 6 cm
Like memory deteriorates, or becomes selective over time, these images fade, and become part of a system of identifiable forms, that enter collective recognition.
The exhibition (ends/ continues) with the work of Stefania Zocco (1980, Italy) where again they digitalized movement that we generate from the movement of our fingers on the screen is transferred to the canvas, once again recreating a sensation of visual movement.
Antonia Rodrian
Silver, 2023
Oil on canvas
75 x 100 cm
The abstract movement ceases to be abstract when encountering the brushstrokes converted into brushes in the work of Antonia Rodrian (1990, Germany)
Selma Parlour
Invented vocabulary VI, 2020
Oil on linen
60 x 50 cm
We can see those limits that pictorial works encapsulate in the worry of Selma Parlour (1976, South Africa), whose interest lies in the creation of paintings that are effectively diagrams or templates.
The illusion is encoded through shaded bands and the color is embedded through a marquetry process, where we can see the confines between some frames and others that are found together with the color, within the canvas.
On the right wall of the room we find the painting on movement "Will technology save us?" by Stefania Zocco, where the daily digital journey of our fingers on our screen seems like an ancestral ritual over a precious conglomerate of minerals, which we can no longer do without.