The Official Elmore Leonard account · Proudly operated by Gregg Sutter, his researcher for 32.5 years · Now celebrating the Elmore Leonard Centennial 1925–2025
This is Dutch’s introduction to the paperback edition of Willy Remembers by Irvin Faust that was published by his publisher at the time, Arbor House, in January, 1983. (The hardcover edition was published in 1971.)
https://t.co/rf5tpOCzC9
This is a great interview, with a highly receptive audience, like you’d expect from the World’s Mystery Conference. They hung on every word. I shot this video. It’s not perfect, but, as far as I know, it’s the only record of the event.
https://t.co/rf5tpOCzC9
Going to ¡La Yuma!
Tom Miller's discovery: the term Yuma had become a part of modern day Cuban slang as a result of Dutch's short story, Three-Ten to Yuma. Tom wrote about this cultural transformation in Travelers’ Tales Cuba: True Stories.
https://t.co/rf5tpOCzC9
JAMES W. HALL first read LaBrava while teaching a mystery fiction class at Florida International University in the mid-1980s. It was his “fun” course — a break from the highbrow literature he taught during the week.
https://t.co/rf5tpOCzC9
Elmore Leonard on Global Connections with Jonathan Swift
June 23, 2009
Elmore Leonard sits down with host Jonathan Swift, a former opera tenor turned TV interviewer, for a sharp, funny conversation wrapped around the release of Road Dogs.
https://t.co/rf5tpOCzC9
Dutch discusses the arc of his writing career, with his Western stories in the 1950s & his transition to crime fiction in the late 1960s. He talks about the breakthrough success of Glitz in 1985, and the decades of work that came before it.
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Dutch told me that first encounter with the written word was being read to by his sister Margaret, who was six years older. Dutch specifically remembered her reading from My Book House for Children,
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Dutch did a lot of these noon time news show interviews in his long career where the hosts hadn’t read the book and had a few scribbled notes from a producer. Dutch always got his points across which makes this interview worthwhile.
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On 1/27/04 Michael Silverblatt’s interviewed Dutch about Mr. Paradise, just out from Morrow.
He got Dutch talking craft—starting with types, how he lets them “audition,” and follows the ones who come alive.
https://t.co/rf5tpOCzC9
I was researching Killshot in the summer of 1987 in Cape Girardeau, As always, I took a slew of location photos. Dutch loved pouring over my photos. Several showed towboats on the Mississippi River and that got him thinking again about Richard Bissell.
https://t.co/rf5tpOCzC9
Dutch was at the Adams Mark Hotel on 9/9/2000, writing the remarks he would deliver that night at the Awards Banquet for Bouchercon 2000. Thus was born what would later be published as Elmore Leonard’s 10 Rules of Writing. But that night there were 11.
https://t.co/rf5tpOCzC9
On 4/8/02, Dutch spoke at the twentieth-anniversary celebration of The Library of America held at the Morgan Library in New York. He was one of six writers invited to talk about an LOA author they felt a connection to. Leonard chose John Steinbeck.
https://t.co/rf5tpOCzC9
This 6/2/1999 CNN-Entertainment Weekly segment, with Elvis Mitchell, profiles Dutch at home in Bloomfield Village, Michigan. It covers the writing process, Hollywood adaptations, & his influence on directors like Sonnenfeld, Soderbergh, & Tarantino.
https://t.co/rf5tpOCzC9
A touchstone is “a standard or criterion by which something is judged or recognized.”
In the Dutch Forum, the term took on a more playful meaning: a clue, a crossover, or a hidden thread linking one Elmore Leonard work
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In 1975, John Foreman—Paul Newman’s producing partner—was headed to Morocco to produce The Man Who Would Be King w/Sean Connery & Michael Caine. He asked Dutch to write a treatment called The Hawksbill Gang.
https://t.co/rf5tpOCzC9
Dutch’s agent H.N. “Swanie” Swanson wrote to Dutch “I think you might want to read a new book just published, The Friends of Eddie Coyle by George V. Higgins. Dutch bought it, opened to the first line. He was hooked.
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Brittany Frederick talks about her first interview w/Dutch & covering Justified as the series was being made. She discusses Dutch’s influence on the show, Graham Yost’s role in preserving that voice, & what distinguished the show from other crime shows.
https://t.co/rf5tpOCzC9
In Detroit: The Renaissance City by Balthazar Korab, (1985) Dutch writes a thoughtful Detroit history. As his researcher, I spent many joyful hours at the Detroit Public Library digging through records and studying documents about the city’s origins.
https://t.co/rf5tpOCzC9
Dutch was working on his 46th novel. The Atlantic asked him to write a story for their July/August 2012 issue.
Dutch wasn’t making a political statement, per se, he had just found one of his favorite set-ups. An intolerant asshole who abuses power,
More: https://t.co/rf5tpOCzC9
Fall 1980.
My review of City Primeval for the Oakland Press.
“Books aren’t written much more hard-boiled and suspenseful than City Primeval.”
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