Emerging Collective

NGO giving exposure to social impact art with a specific eye toward emerging markets.

[Rudy Havenstein, Senior Markets Commentator. @RudyHavenstein]

Ben Bernanke leaving the Fed to work for Citadel is like Chief Justice John Roberts leaving the Supreme Court to work for Koch Industries.

[Emerging Collective @EmergingColl]

@NFL Please do the right thing and bring back @Kaepernick7 - if he doesn't want to play, then recognise him publicly for his courage.

[ARTnews @artnews]

Earlier this month, Tate Modern celebrated its 20th anniversary. These are the London museum's 10 most important shows https://t.co/hOptehgQ4v

[Andrew Russeth @AndrewRusseth]

Cecilia Alemani: a very solid pick to organize the Venice Biennale. As High Line curator in New York she's given huge swings of the bat to young artists (and obscure ones), and gotten generally good work from veterans: no easy task in the public art game. https://t.co/x6AA1tYT9v

[hyperallergic @hyperallergic]

#Banksy makes a nativity scene. https://t.co/LPVTjt9FAC

[Emerging Collective @EmergingColl]

Illinois has spent tons of effort and money on criminal registries for ex-convicts - but not a dime to reduce inequality... an extension of the prison industrial complex with profound emotional + economic impact. #CTSummit @illinoiscourts

[Emerging Collective @EmergingColl]

It seems absurd to argue about nation states in an age when climate change will force migration, yet nationalism is rising. - Larissa Sansour, post-apocalyptic film maker #CTSummit

[Emerging Collective @EmergingColl]

We’re creating an intersectional space for partying and intellectuality. -Sandra Jackson-Dumont. Education Chair, The Met. #ctsummit

[Emerging Collective @EmergingColl]

You should learn your real histories before creating your own. -George Stonefish, Elder of Lenape Tribe, original inhabitants of Manhattan. #ctsummit

[British Museum @britishmuseum]

@WomenInTheArts Mary Sibande’s work explores issues of race, gender and identity in post-apartheid South Africa, featured here in our 2016 exhibition ‘South Africa: the art of a nation’.

Sibande explains how her art confronts history in this video: https://t.co/XjNjMIP2KL #5WomenArtists

[AnabelRoqueRodríguez @anabelroro]

Today,South African artist Sue Williamson.I took the images at Art Basel 2017 "Messages from the Atlantic Passage" each bottle is inscribed with the details of one of the 12.5 million people shipped from the African continent as slaves between 1525 and 1866 #5womenartists

[Jean-Seb Cloutier @jsebcloutier]

Wow! Montreal pour la planète... #marchepourleclimat #climatestrike

[Emerging Collective @EmergingColl]

Overheard at #artbaselHK - does the contemporary art world have space for examination of the periphery, of the other?

[Emerging Collective @EmergingColl]

Angela Merkel 4th term as leader of Germany.

The world bemoans autocracy in china while one woman has put Europe under the German thumb more securely than hitler ever could muster #Merkel

[Pioneer Works @PioneerWorks_]

We are so excited about Four Simultaneous Soloists, a music series to accompany our upcoming Anthony McCall exhibitions: https://t.co/scyfQEpUEX #pwmusic https://t.co/iCKBGHJpYf

[ArtRabbit @ArtRabbit]

William Kentridge Enough and More Than Enough focuses on Kentridge’s stage work, including theatre, opera and performance @museoreinasofia until 19th March 2018
https://t.co/lEPYiurNH2

[Rym Momtaz ريم ممتاز (rmomtaz.bsky.social) @RymMomtaz]

Coverage and twitter commentary of the Syrian conflict has the one benefit of quickly unmasking the morally corrupt and intellectually dishonest.

[CAA Advancing Art & Design @caavisual]

The Manhattan district attorney announced Friday that three ancient sculptures are being returned to their rightful owners in Lebanon. https://t.co/Z13J3XrbtD

[Maison des Arts @MDA_Chatillon]

Bel article de l'Oeil de l'exilé, sur la table ronde ayant eu lieu dimanche 10 à la Maison des Arts : L'art, un outil politique ? #art #politique #engagement #chatillon #HautsdeSeine https://t.co/ZeloEiBR8J

[New Museum @newmuseum]

"One of the rare moments when too much is exactly enough."
— @hyperallergic on "Trigger: Gender as a Tool and a Weapon"
#gendertrouble
https://t.co/3i7Ydf5xJi