emmanuel honoré

Graphic Design | Interaction Design | stuff…

[GuildMM @GuildMM]

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[emmanuel honoré @emmanuelhonore]

calendas plus designed by atipo. download regular for free https://t.co/Jk1dvKysO4 via @atipostudio

[Una 🇺🇦 @Una]

👀 An early look at transitioning to and from `display: none` in CSS 👀

[emmanuel honoré @emmanuelhonore]

@gleamapp Ipad Pro all the way <3

[emmanuel honoré @emmanuelhonore]

@EvaSilvertant Well I found my side project for the year! Such a lovely one!

[the Design Museum @DesignMuseum]

'Functionalism is not enough. Design should also be sensual and exciting.’

Founder of the 1980s design collective Memphis, Ettore Sottsass was pivotal in the 20th century Italian design scene.

Read our #EttoreSottsass profile: https://t.co/vThPgpY6sp

📸 Enorme telephone, 1986

[Song ¾ @SongPKM]

Les petits trésors que l’on peut consulter aux archives RATP comme les premières normes signalétiques du RER. Vous pouvez même vous familiariser avec la police Helvétique ! 😉

[emmanuel honoré @emmanuelhonore]

@AlexAperios Love the vibe and the integration on the poster! The A feel a little disconnected though and the kerning NT seems a little off but it’s definitely going into the inspiration folder

[emmanuel honoré @emmanuelhonore]

@vanschneider To be fair, it’s the same with passion which come from Latin “passio”, meaning to suffer or endure

[Seamless @shiropen2]

テキストから音楽を生成するAI https://t.co/1vkN8cE6KW

[Sara Soueidan is on Bluesky @SaraSoueidan]

Dyslexia friendly style guide

"Adopting these principles for dyslexic readers has the advantage of making all written communication easier on the eye for everyone." 💯

—
Simple, sensible, impactful writing guidelines. #a11y

https://t.co/Nx1I9VHney

[Gleam @gleamapp]

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[David Perell @david_perell]

What's causing all these logos to look the same?

[Marques Brownlee @MKBHD]

I’m gonna pack up this @ColorWare Nintendo Switch OLED and ship it to 1 random follower who RTs this tweet in the next 24 hours. Good luck!

[Riley Cran @rileycran]

It's tempting to think that simpler letterforms = more legibility. But in my experience, that's not true. Typefaces are design systems too, and they need a certain level of complexity to work well. Here's why

(thread) 🧵

[Kyo @TheKyosika]

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[culturepub @culturepub]

Et peut-être qu'après vous lirez ça (mais ça, c'est moins sûr) 😉

[Elad Shechter @eladsc]

This is hilarious 😅

Taken from: https://t.co/Xla4WH5xEF

[Marques Brownlee @MKBHD]

Alright, I'll be giving away this $10,000 Gucci XBox to a follower who retweets this in the next 24 hours. I'll ship it anywhere on earth. Good luck.

Here's what's inside: https://t.co/Mung64czZs

[ANRT_type @ANRT_type]

Aux origines de la typographie numérique en France, il y a une femme: Nicole Croix.
En 1982, alors que toutes les fonderies françaises (D&P, FTF, Olive, Hollenstein) ont fermé leurs portes, elle fonde avec Jacques Michot, imprimeur et photograveur, la société MICROTYPE, à Beaune.