@DosRunas@MaruCampos_G Que mal por que hablo sin contexto completo. Parece que los desvíos de fondos no solo son por la “nómina secreta” para su inmobiliaria.
Sarampión, la última revisión en New England Journal of Medicine (2025). Vamos a actualizar el tema en Memodi. Pueden descargar el artículo aquí: https://t.co/gRWuSdfXyx
'Where is My Mind?', se le ocurrió a Frank Black, líder de Pixies, tras un episodio que vivió mientras buceaba en el Caribe.
De esa experiencia creó un temazo sobre "la pérdida de la cordura frente a la inmensidad de la realidad".
#BonDiaCanalla
في هذا المشهد لم يلجأ المخرج ثيو أنجيلوبولوس إلى الموسيقى ليوقظ مشاعر الحزن ويهز الوجدان، بل اختار أن يملأ الصمت بصوتٍ يتلو القرآن الكريم، فكان أبلغ من أي لحن.
— Ulysses’ Gaze (1995)
Acabo de escuchar la expresión más castiza, rencorosa y elegante a la vez que he oído en mi vida: ya quisieras saber tú todo lo que a mí se me ha olvidado.
Alfonso Cuarón & the cast of "Y tu mamá también" (2001) explain the reasons for the movie's success:
"CUARÓN: One part is obvious. Putting teenagers in situations that include s€x will always be attractive to a certain audience. But I hope “Y Tu Mamá También” transcended that, because we set out to not be “American Pie” (1999). We wanted the s€x scenes to get a point across about these characters and about the social elements we were playing with, like class and the conceptions of masculinity that these characters have.
DIEGO LUNA: This is a great movie, of course, but not all great movies arrive in the correct moment. “Y Tu Mamá También” had such luck. It found an audience that needed a journey like the one the movie proposes. The movie speaks of fundamental relationships and it’s very easy to reflect yourself in it. It’s also a movie that portrays a Mexico that seemed to be hidden before. The way it depicts the economic inequality and class conflict was very painful for some to see back then. I remember a lot of people complained, “Why do you portray Mexico this way?” But at the same time it portrayed the beauty that the country has to offer.
GAEL GARCÍA BERNAL: It caused a schism within the Mexican audience. Many people connected positively with the movie but it angered the pearl-clutchers. [Laughs] Some audiences projected a certain discomfort with the s€xual openness or with the fact that the movie touched on gay themes in an ambiguous way. All of that created a dialogue. Outside Mexico what transcended was the desire to live that this movie instills in you. When you come out of the theater, you want to head to the beach and go on a crazy adventure.
MARIBEL VERDÚ: I believe it’s authenticity. It’s a movie that feels like a documentary. It looks like something improvised, but there’s so much work behind it. There [were] rehearsals to have it all very tight, but to make it seem like everything was just happening in front of us. That’s so magical and audiences felt that too."
("When ‘Y Tu Mamá También’ Changed Everything", Carlos Aguilar, The NY Times, 2021)