JIMIN REACTION AT THE MEME OF HIM AND MBAPPÉ, THE WAY HE JUST-😭
🐥:Why do you keep comparing me to soccer players now? 🤣
🐯🐻: Do the Haaland walk, the Haaland walk!
🐥: *does the Haaland's walk without thinking twice*
😭😭
the way he took deep breaths before his part letting himself feel all those overwhelming emotions as a human while still standing there & performing as the artist he is. my heart hurts so much rn, jeon jungkook we have no option but to love you forever :(
when sudden realisation hits that youth is never coming back but bts will always bring it through their new eras to keep the nostalgia alive to remind us youth is in the moments we live.
pairing namjoon with a doberman for the ‘normal’ music video is absolute genius cause dobermans are considered protectors, highly intelligent, loyal to their pack, observant and in many ways, goofy
The imagery of wealth, old-money nobility, and bizarre pet photoshoots in the NORMAL music video acts as a layered satirical critique of ultra-celebrity culture, highlights how public perception strips away an individual's humanity, replacing it with an untouchable, historical caricature.
There is performance of Excess here: Eating in this setting is not for survival or nourishment; it is an elaborate, highly visible performance. by staging a wildly excessive banquet overflowing with wine glasses and gourmet food, BTS is commenting on the perceived privilege of superstardom.
There is Aftermath too: In the narrative arc of the MV, these grand, chaotic celebrations quickly cut to the quiet, messy morning-after. This contrast emphasizes that behind the untouchable royal facade lies a group of ordinary people dealing with isolation once the cameras shut of.
The dog photoshoots are a direct nod to European aristocracy and early photography trends, where the ultra-wealthy commissioned formal portraits of their hounds to signal immense status. Just like the monarchs of 'the days back in the day', modern global idols are effectively trapped within their own golden cages. They are forced to perform elite, curated versions of domesticity for an audience
The bathroom is the equalizer: all individuals are human at the end of the day and have to do this mundane humanly task.
Royalty represents the ultimate historical paradox: absolute power combined with zero personal freedom. The MV was shot at Quinta da Francelha estate.
Why the BATHROOMS in this comeback?
No matter how wealthy, famous, or highly ranked a person is in the social hierarchy, they must still use a restroom.
mundane raw human act in Normal MV, exploring the thin line between their public personas as “global superstars” and their private, human identities.
(standing shoulder-to-shoulder in formal suits at urinals strips away all celebrity hierarchy. it’s the equaliser.) but before that they went thru the beginning of the 2.0
mv;
2.0, this scene is before they took the elevator to reach to the “UPPER LEVEL” in their career to perform in lesser-strict sets of clothes. the bathroom scene here reps them practising as a group that went thru a lot of the gritty parts of their lives together, no waiting room & under pressure etc.
one side of the evolution of their career is repped by the 2.0 mv bathroom —> normal mv bathroom.
Outro: Wings
👤 방탄소년단 노래 중에서 제일 좋아하는 거 뭐예요?
🐿️ 하 이건 어려워…
🐿️ 이 질문은 너무 어려워
🐿️ 진짜 모든 곡이 좋은데
🐿️ 그래도 나름 애정이 있는 곡은 그리고 뭔가 그 가슴이 뜨거워지고 몽글몽글 해지고 모든 게 다 복합적으로 섞여있는 곡은 난 윙즈 라고 생각해
🐿️ 난 윙즈 라는 곡 너무 좋아해요
🐿️ 그리고 구성이 요즘 같지가 않아