I had a great time with #SpiderMan some of the best action choreography we’ve seen from the MCU in a while (with some bad background blending, per usual). Has some really strong character work and I admired how grounded it all stayed. Wish it went a little darker, but really fun!
Disclosure Day: STAY THROUGH THE CREDITS!!!
There’s no post-credits or anything but this could be the last time we hear new John Williams music in a theater.
Mark Ruffalo is the lead of Pixar's next film ‘GATTO’.
The film follows a black cat in Venice with a love of music who is shunned by locals due to superstitions.
DISCLOSURE DAY might not be for everyone, but it was definitely for me. Spielberg at his most thematically rich, Janusz Kaminski at the top of his game, Emily Blunt at her peak, and John Williams returning with a vengeance. Spotty VFX aside, I found so much to love.
Adrien Brody did not use AI for his performance in The Brutalist. The post-production team used AI to pitch-correct a couple of lines (one scene in a 3 hour movie) where he spoke Hungarian. We don’t have to keep doing this in 2026.
i’ll never forget walking out of the theater going “wow that fixed EVERY problem i had with The Force Awakens i’m excited about star wars again” & then everyone lost their fucking minds
will never understand why studios won't screen some movies to critics until 7:30pm the night before a 9am review embargo, even when influencers can see them weeks in advance. if the film is that fucking bad, just delay the embargo a few days! better yet, don't make it at all!
Children being exposed to disturbing movies they are entirely too young for and have no business watching is an important rite of passage, a time-honored tradition
#TheBrideMovie is too much of a good thing. Lots of really cool ideas are introduced, with not a ton of follow through. Looks gorgeous with two unhinged (complimentary) lead performances, but I really wanted a bit more. Hildur Guðnadóttir is still the best around