"I think that is the only way for you to really enjoy and appreciate the true power of films: in the theater rather than at home, no matter how convenient that might be."
The legendary Tsai Ming-liang tells @Nick_Newman about the strange origins of 'The Hole,' his artistic evolution, and next film: https://t.co/6Q1Xq2iBDS
Éric Rohmer's one and only novel, Élisabeth, from 1946, just published by @McNallyEditions, translated by Aaron Kerner, is engrossing, formally audacious, and disturbing in itself, and it also foreshadows what he'd do (and wouldn't do) as a filmmaker:
https://t.co/VzB0IYAMTz
I love how Shaft turns walking through New York into an act of confidence, style and quiet defiance. Few openings establish a protagonist this effortlessly.