European Photography

The independent art magazine for international contemporary photography. media art and artificial intelligence

[European Photography @europhotonet]

Just published: “Niépce Recoded" – an homage to the archetype of photography, Nicéphore Niépce’s ‘View from the Study’ from 1827, and its interpretation through artificial intelligence. – https://t.co/KJp2YXcS1r...

[European Photography @europhotonet]

European Photography 114 has a special focus on photography and artificial intelligence. Introductory essay by Andreas Müller-Pohle now online at https://t.co/ag5LHINxWS

[European Photography @europhotonet]

Take a look at our latest issue: https://t.co/QAWEOo4D9C

[European Photography @europhotonet]

Pleased to share LensCulture's annual compilation of Favorite Photobooks, including our recommendation for "Melt," a hybrid book by Philip Zimmermann that combines AI-generated images, video stills, and text to address climate change https://t.co/CZCv5Xunq8

[European Photography @europhotonet]

https://t.co/jsgNx3N9e0 has published a detailed review of our latest issue #114 by renowned French critic Christian Gattinoni. Thank you Christian! – https://t.co/a6oURnbOdI

[European Photography @europhotonet]

Just published: European Photography 114 on ARTIFICIAL INTELLIGENCE – SELF-STAGING – MEDIA & VIDEO ART. More at https://t.co/oFayNSe1Nt

[European Photography @europhotonet]

OPEN YOUR EYES: The Festival of Photography and Science in Zurich opened with 27 outdoor exhibitions committed to the UN Sustainable Development Goals, organized by Lois Lammerhuber in partnership with ETH Zurich. Until 15 October – https://t.co/5QboRkGix3 (Photo: Arnd Wiegmann)

[European Photography @europhotonet]

OPEN YOUR EYES: A new photography festival kicks off in Zurich on September 8, with outdoor exhibitions focusing on the 17 UN Sustainable Development Goals. Through October 15 – https://t.co/5QboRkGix3 (Photo: George Steinmetz: Combine harvesters gather to harvest soybeans)

[European Photography @europhotonet]

Joseph Obanubi: "In Nigeria, my home country, almost a third of the population does not have access to basic water supply. My approach was to use the strategies of play and imagination to take a more subtle, symbolic perspective on the issue." – More on https://t.co/oFayNSdtXV

[European Photography @europhotonet]

Nneka Iwunna Ezemezue: "There Will Be A Country", from our African Rhapsody issue #113 – More on https://t.co/oFayNSdtXV (Photo: Nneka Iwunna Ezemezue: This Is Africa. Lagos, Nigeria, 2022.)

[European Photography @europhotonet]

Fatimazohra Serri, Marrakech: Shades of Black, from our current "African Rhapsody" issue #113 – https://t.co/oFayNSdtXV (Photo: We Run This Mother, 2019)

[European Photography @europhotonet]

"African Rhapsody" – Our brand-new issue, offering a fresh look at contemporary photography in Africa, with portfolios, interviews, book reviews and a guide to African photography. Featuring Iwunna Ezemezue, Remofiloe Mayisela, Alice Mann, and more – https://t.co/oFayNSdtXV

[European Photography @europhotonet]

a victim of political arbitrariness is not without a certain irony – after all, the project examines the manipulative power and abuse of technical images by governments and corporations. – https://t.co/huoc86yKlc...

[European Photography @europhotonet]

fourteen days. In this respect, the justification of the director of the Suwałki Cultural Centre, Ignacy Ołów, that he was not aware of the "possibly one-sided reading" of the works because he had not seen the whole exhibition, sounds rather absurd. That "Camera Opresiva" became

[European Photography @europhotonet]

the renowned “Interphoto” festival in Białystok, Grzegorz Jarmocewicz. His multimedia show at the Contemporary Art Gallery in Suwałki was unceremoniously taken down three days before PiS party leader Jarosław Kaczyński's visit to the city, after having already been on display for