kyle

I don’t even know, man

[kyle @everythingd1es]

New episode of Reel One podcast featuring my pal (also named Kyle) interviewing Tom Stern about his new documentary called Butthole Surfers: The Hole Truth And Nothing Butt. Watch here: https://t.co/XWKuGC8hFj

[kyle @everythingd1es]

@Kaaaiii_00 That’s a good run!

[kyle @everythingd1es]

@KidCreole3 Yup! You get it.

[kyle @everythingd1es]

I’ve been praying for this to happen!!!

[Criterion @Criterion]

✨ Announcing Criterion's FEBRUARY 2027 titles! ✨ https://t.co/b9WNq5de4h

[kyle @everythingd1es]

@moviedouche My dude 🤝

[kyle @everythingd1es]

@heykazmo I thought of you when I saw Jay Kelly’s in the club now 😂

[kyle @everythingd1es]

@nicole_namaste Yesss

[kyle @everythingd1es]

@nicole_namaste Z and Next of Kin! 🙌🏼

[kyle @everythingd1es]

@atonofbricks Oh wow, I didn’t realize that’s what it was! I thought it was a painting. If you were going for postmodern, I think you nailed it.

[kyle @everythingd1es]

@atonofbricks Ah okay, that makes it more intriguing to me now that I have some context. I do like V2 for the palette and softness but something about bright colors, layering, and images is definitely more my interest.

[kyle @everythingd1es]

@atonofbricks I like V1. It has a certain kitsch that I like. I think I prefer it because of the layering of barcodes, repeated textures from the barcodes, and feels hard-edge Pop, compared to the softness of V2. V2 sorta reminds me of a loose mixture of Agnes Martin and Helen Frankenthaler.

[kyle @everythingd1es]

@JohnGudmann I would finally be free

[kyle @everythingd1es]

@atonofbricks He’s really great. A contemporary text artist I’m a fan of is Andrew Brischler: https://t.co/WDdlbtjJtV

[kyle @everythingd1es]

@filmbuffkal Yeah, doesn’t seem great. I think he needs a new challenge, or new type of character to portray.

[kyle @everythingd1es]

@hvrrx I’ve never heard of these of these. You’re putting me on in new ways haha

[kyle @everythingd1es]

@stonemonkts Aw yeah, I made the cut