Eye On Dance

eye on dance | eye on the arts | news, reviews, and culture since 1976

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@gilbertcruz https://t.co/EJcq2Cp6DZ

[Eye On Dance @eyeondance]

Kate hines@wnyc

[Eye On Dance @eyeondance]

Did you miss the EYE ON  DANCE special premiere on The Dance Enthusiast?
Visit us HERE to catch the rerun now through March 31st at 12 p.m. EST.

[Eye On Dance @eyeondance]

Or click here to make an EYE ON DANCE LEGACY ARCHIVE donation  https://t.co/DbKHvKOyZY to pay vial PayPal.

[Eye On Dance @eyeondance]

40 years ago, EYE ON DANCE chose to amplify the voices of all dancers. Now 40% of the archive (2400 videos) honors dancers-of-color and artists with AIDS whose stories would otherwise be silent.

[Eye On Dance @eyeondance]

https://t.co/ZOx2FQArMI Click on link gor a peek at EYE ON DANCE

[Eye On Dance @eyeondance]

Importantly, many of these artists are no longer living or docuemnted elsewhere.

Please help keep their legacy alive by making a tax -deductible donation of any size for the restoration of the EYE ON DANCE Legacy Archive.

[Eye On Dance @eyeondance]

@ChaseforBiz
We are very upset by Chase Bank's manner of ignoring small nonprofit organizations like ours, Arts Resources in Collaboration, Inc. Whereas friends who own major business were attended to ASAP, we tried to apply on-line every day for 10 days running. Can you help?

[Eye On Dance @eyeondance]

Eye on Dance and the Arts https://t.co/Q25SKbMsIb

[Eye On Dance @eyeondance]

📷 The “Shaded Line” by Lauren Lovette with Georgina Pazcoguin and company. Photo by Erin Baiano. Lights flashed, and people posed while sipping Ruinart bubbly on the night of the NYC Ballet Fall Fashion Gala. the evening included two new works... https://t.co/kRu0jufF7S

[Eye On Dance @eyeondance]

📷 Photo by Patrick Randak.  AYODELE CASEL AND ARTURO O’FARRILL MAKE SOME NOISE/REVIEW Many artists, particularly of the solo variety, project, to varying degrees of subtlety, the will to stand out. Ayodele Casel very tangibly doesn’t. Instead,... https://t.co/BL8rMRwM2K

[Eye On Dance @eyeondance]

📷 Catherine Gallant in “Isadora Duncan” by Jerome Bel/Crossing the Line Festival Dressed in a black film top and pants, Catherine Gallant greets the audience…for the next 90 minutes, Gallant delivers a compelling master class in the life and... https://t.co/w1o9GCDUTf

[Eye On Dance @eyeondance]

Ayodele Casel at the Joyce Theater https://t.co/kCjUYh9WA4

[Eye On Dance @eyeondance]

REVIEW: UNCLE VANYA By Celia Ipiotis - Who needs another Uncle Vanya? Aren’t’ we done with this drama about a rundown estate in Russia and the depressed inhabitants? Evidently, it still thrills theater professionals and as a testament to its... https://t.co/qUES9p6AH6

[Eye On Dance @eyeondance]

REVIEW: HILLARY AND BILL - Travel back to the first time Hillary Clinton vied for the presidency. After months of exhaustively campaigning, hopes fly high in New Hampshire but the coffers are drained. What to do? Oh – sure, call Bill. The new... https://t.co/TQSfn1mP2b

[Eye On Dance @eyeondance]

REVIEW: TRUE WEST By Celia Ipiotis - When the diminutive, elderly mother (a splendidly deadpan Marylouise Burke) walks into the disaster area once known as her kitchen, she puts down her two red suitcases and greets her sons before even asking... https://t.co/9qM3SaWpCM

[Eye On Dance @eyeondance]

REVIEW: AMERICAN SON By Celia Ipiotis - Nothing panics parents more than the absence of a teenage son or daughter after a night on the town. Too many bad things happen between the hours of midnight and 4 am, and considering today’s instantaneous... https://t.co/WYZPROD2Sy

[Eye On Dance @eyeondance]

REVIEW:CHOIR BOY By Celia Ipiotis - Respectability is paramount at this school, so any suggestions of impropriety results in expulsion. There’s very little wriggle room. Although there is no hard evidence, the angel-voiced Pharus inspires... https://t.co/99J8CrJgGM

[Eye On Dance @eyeondance]

REVIEW: CHOIR BOY by Celia Ipiotis https://t.co/SL4fydnRcP

[Eye On Dance @eyeondance]

REVIEW: CONFLICT by Celia Ipiotis - Among other things, the Mint Theater Company’s wonderful production of Miles Malleson’s 1925 drama Conflict peers at women’s roles in Britain after World War I, during the roaring 20’s and an economically... https://t.co/Z7RGGznJUq