Pedrão🦇

cemitério das boas intenções

[Pedrão🦇 @faceofthestorm]

bom dia família

[Memory Card @MemoryCardFiles]

Resident Evil CODE: Veronica X (2001)

[Pedrão🦇 @faceofthestorm]

@mozartsempiano nada te prepara pra aquele final

[Pedrão🦇 @faceofthestorm]

@viviismo Napoleão do Abel Gance

[Pedrão🦇 @faceofthestorm]

meu dia piora em 90% quando ela aparece na minha tl

[Ereh | jurídico to be hero x @ichigosquence]

minha for you me traiu 🕊️

os três primeiros takes é papo de levar ban da internet

[𝐓𝐫𝐞𝐬𝐨𝐫𝐬 𝐝𝐮 𝐆𝐫𝐚𝐧𝐝 𝐄𝐜𝐫𝐚𝐧 @retrofilmm]

The Masque of the Red Death (1964) dir. Roger Corman

[Pedrão🦇 @faceofthestorm]

meu mano lucas fresno escreveu essa pra mim

https://t.co/Wbrk5D0S2c

[Memory Card @MemoryCardFiles]

Castlevania: Aria of Sorrow | Game Boy Advance - 2003

[Pedrão🦇 @faceofthestorm]

literalmente eu

[𝐂𝐢𝐧𝐞𝐦𝐚 𝐨𝐟 𝐭𝐡𝐞 𝐔𝐧𝐬𝐞𝐭𝐭𝐥𝐢𝐧𝐠 @HauntedMovies]

Pulse (2001) dir. Kiyoshi Kurosawa

[videogame music daily BR🇧🇷 @music_videogame]

Asterisk - Bleach

[Pedrão🦇 @faceofthestorm]

kkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk vsf

[Lost In Film @LostInFilm]

On Xavier Dolan’s birthday, we revisit this iconic and beautiful scene from 'Mommy' (2014) with Oasis’ "Wonderwall" playing in the background, where the aspect ratio shifted from 1:1 to 1.85:1.

[Pedrão🦇 @faceofthestorm]

saudades 2017

https://t.co/bG9PVuqz1e

[Pedrão🦇 @faceofthestorm]

queria ir de anthony bourdain

[Pedrão🦇 @faceofthestorm]

https://t.co/45QyzvAC7L

[Pedrão🦇 @faceofthestorm]

essa cena mudou a minha vida, nunca vou esquecer do exato dia que assisti esse

[Gangster Cinema Central @GangsterCinema]

Collateral (2004)

Michael Mann on using music to reveal character.

"As research, music enters early for me. If you can find that piece of music which evokes the central emotion of one of your characters, some pivotal crisis where he or she must rouse themselves from despair and manifest something very aggressive within his or her own mind—this becomes the piece of music for that moment.

If I want to quantify how a character is feeling and thinking, in a way that is replicable, so I can re-evoke that emotion many, many times, finding the right piece of music is positively essential. Not only as I prepare the scene—but as I shoot the scene, as I direct the actors, and finally, as I edit the scene.

One specific example comes to mind in Collateral, when the coyotes cross in front of the cab. For me, that was a watershed in the story's progression. Each of the two principle characters is submerging into his own perspective of what life is: a retrospective moment; a prelude to a violent confrontation. The song "Shadow on the Sun" by Audioslave nailed that moment for me. It became an indelible part of planning, sustaining, and executing that scene."

https://t.co/EoDbcaDlI5

[✶⋆.˚ ⋆✴︎˚｡⋆mär ₊˚✧ ⋆ ₊⊹ * @safegreenhouse]

🐀

[Frases Player Tauz @oliverzimkk]

eu olhando pra quebrada de manhã antes de ir trabalhar