てれんぱれん

hyukoh BTS NHC TXT RinaSawayama skyhi ちゃんみな Novel Core Maika Loubte moment joon 新しい学校のリーダーズ 只今BE: FIRST応援中のザスト民 改めBESTY💦 読書リハビリ中の前期高齢者

[おく・すす子 @yuka_kuwahata]

ジェジュンが、経営者としてソウルで世界の音楽業界人向けの会議に登壇。

流暢なプレゼンで語った、「Kポップの中小事務所がグローバルに成功するには？」

ニューズウィーク日本版に寄稿しました🖊️

#JAEJOONG #김재중 #MUCON2026

https://t.co/acStg0u259

[ITZ²⁴⁴ 𝄢♮ @_Cypher_Rkive]

I'm still hasn't over the fact that Namjoon added a painting by the Mexican artist Rufino Tamayo to his exhibition 😭. After visiting the Tamayo Museum in Mexico and seeing that there weren't many of his works in the museum that was supposed to be named in his honor,+

[柳澤田実 Tami Yanagisawa @tami_yanagisawa]

9/29にNYTが報じた、アンスロピックの宗教指導者へのロビイング、特に5月頃に教皇に「AIに人間同様の意識がある可能性」を認めてもらおうとロビー活動をしていたことが話題になっています。AI倫理の必要性において協力していた両者ですが、AI理解は対立している。個人的に驚いたのは宗教者のお墨付き→

[𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 @Old_But_Gold50s]

The transitions between each section are incredibly smooth. It’s so good that I got completely absorbed in this arrangement and almost forgot about the original soundtrack.

[🥀𝘴𝘩𝘪𝘱𝘰𝘳𝘪𝘯 @onegaijulie_oO]

動画漁ってたら夜ヒットのOPメドレーで百恵ちゃんが歌った「シーサイド・バウンド」とジュリー繋げたの出てきた（笑）これ好きだな〜〜百恵ちゃんの低めな歌声もジュリーがハモリパート歌ってるのも良すぎるദ്ദി ˉ͈̀꒳ˉ͈́ )🎶💗💗

[mimi-usagi ⁷ 🐨ARIRANG💙 @usagi384]

RM X SFMOMA「BETWEEN YOU AND ME」
公式オーディオガイド「I DON'T KNOW BUT I LIKE IT」で、ナムジュンが奈良美智さんの作品について話していました。
とても素敵なナムジュンと奈良さんの関係が感じられる内容でした。
英語インタビュー版を紹介します。長いです。

🐨これは奈良美智の陶器作品です

[Hiroaki Goto 後藤博亮🇨🇿🎻 @HiroakiGoto1]

やけにドヤァ…すると思ったら笑っちゃうくらいスゴかった

[柳澤田実 Tami Yanagisawa @tami_yanagisawa]

2021年に藤本タツキさんの『ルックバック』に心動かされ書いた文章です。映画化に伴い、最近また見つけて読んでくださっている方がいるようなので再投稿させていただきます。気持ちが入っている文章です。ご笑覧ください。
https://t.co/wuWQqKvaMZ

[bangtan⁷ @archvofbts]

Namjoon about RM x SFMOMA: Between You and Me via audio guide tour😭😭

🐨: Hello guys. My name is RM. I'm the leader of the group called BTS, and my Korean name is Kim Namjoon, and I'm a 31-year-old from South Korea. This exhibition is called RM SFMOMA, but, you know, it's about my personal things – so I prefer to be called as Namjoon. Or you could call me Joon, like, if it's too long. 
 🐨: It feels like I'm already in the space and I could see the people, like waiting in line. What I always looking forward to is… I don't know how, what it's called in English, but it's, it's ‘seollem’ in Korean.
How do you say in English? Butterflies? That sounds really romantic, but more of a like, um, you know, like expectations, for like what's gonna happen. What is today's dinner that the curators prepared for me, the chef? 
 🐨: Art makes me laugh and cry. And I felt really jealous because music could remain as electricity, like frequencies. It could sound different by the equipments and medias. But painting is just that one single painting. You could just get it, face it. So I just really envied the fact. But I think a lot of artists sometimes, they feel jealous of music because music could be everywhere, like in the air, when you drive, when you take a shower. But for art, like, you should go to this, like a museum. So I think that's the difference of medium. But they are all the same languages. 
 🐨: I make an album because all of my feelings can't be just translated by words. So that's why I make music. This exhibition is, is with the same context. I just hope you have fun. If you feel bored, just quit or just stop listening and just look through it. If there's an interest or a good memory or a curiosity or whatever, if you have something memorable after you see this exhibition, I think that's all. That's the only duty when it comes to an exhibition. Yeah, just have fun and welcome to my world. I appreciate your spending time with my confusion.

#RMxSFMOMA

[音色 @thracia776_bts]

朝ライブ配信されてたナムさんのキュレーター挨拶の和訳です。パンフレット序文も一緒にまとめました。
現地へ行かれるARMY、楽しんで！

【挨拶和訳】僕という人間についての、とても長い自己紹介【RM x SFMOMA】｜音色
#RMxSFMOMA #RM
https://t.co/i1GmMLLMFI

[Soares, Paulo @pauloscorsa]

INSANO! Melhor performance de um corpo de dançarinos numa apresentação ao vivo em longa data. O nível de ensaio pra entregar isso!!

[Vibrato Eterno @LatidosDePasion]

En 1936, Hollywood descubrió a una española que bailaba como una tormenta. Venía de una barraca de chabolas de Barcelona y no sabía leer ni escribir.

Pero cuando sus pies golpeaban el suelo, los estudios enteros se quedaban en silencio...

[۟ @MINHxDYNASTY]

one of the best live performances ive ever seen

[Sara 2.0 @SaraBangtan07]

In the lead up to RM x SFMOMA: Between You and Me, I’ve been revisiting some of his interviews related to his fine art journey. Today I dug up his 2022 NY Times profile

Through the books I’ve read over the years on Korean art history, I’m realising that the questions Joon keeps returning to, about what it means to be a Korean artist on the global stage, is not a new one

Korean artists have been working through versions of this question for more than a century. First against a long history of Sinicisation, then under Japanese colonial rule & the arrival of Western imperialism

What does it mean to make modern art as a Korean artist? How do you engage with artistic languages that come from elsewhere without losing what makes the work yours?

These are questions that sits at the heart of both his upcoming SFMOMA exhibition & ARIRANG

And in Yun Hyong-keun, he found an forerunner, an artist who worked out his own timeless answer, whose work he described as “a complete kind of combination of Western and Eastern, or Asian or Korean styles”

This mirrors, in some ways, how he’s described his upcoming exhibition: “between East and West, Korea and America, the modern and the contemporary, the personal and the universal” With his hope being that the exhibition can act as “a small but sturdy bridge” between them

[✌️0𝓻𝓼𝓸....МЕДВЕДЬ✌️🇮🇹🇷🇺🐻 @orso75io]

Questo video mostra chiaramente l'affetto e la fiducia tra un grande cane e un piccolo gattino; è davvero bello. 🐾🐈‍⬛🐾🐶😊

[澄田喜広 古本よみた屋 ＠吉祥寺 @sumida01]

出版社が絶版や品切れにした本の流通は、全国の古書店が担ってきました。ほとんどは極めて安価で、プレミアム価格になるのはごく一部です。しかも高額書の多くは初版本などのコレクション的な本です。今その流通網は危機にあります。絶版本の流通を国会図書館だけに任せていいのか、私は甚だ疑問です。

[Hiroaki Goto 後藤博亮🇨🇿🎻 @HiroakiGoto1]

J.S.バッハ「ガヴォット」半端ないって。300年以上前の踊曲なのに現代でも口笛吹いちゃうのヤバない？色んな楽器で演奏できるの素敵すぎん？細かいことはとりあえず置いておいて、クラシックギターに癒されよ。素朴に生きよ

[THINKpod／シンクポッド @THINKpod_JP]

1980年代にパキスタンに渡ってハンセン病の治療にあたり、やがてやアフガニスタンで井戸の設置や用水路の工事を担うまでになった中村哲さん。2019年にアフガニスタンで凶弾に倒れたこの偉大な人物の生き様を、ノンフィクション作家の山岡淳一郎さんが語ります。

出演：山岡淳一郎さん（@rqnr_20c）

[集英社 学芸編集部 @Shueishagakugei]

『炎と水　中村哲と名もなき人たちの旅』にて第48回講談社本田靖春ノンフクション賞を受賞。山岡淳一郎さんのインタビュー続編が配信されました。ぜひご覧ください！
【アフガニスタンで90万人の命を救った】医師・中村哲の偉大な生き方／アメリカの「アフガニスタン駐留」との違い／インフラを守る思想／なぜ用水路を作... https://t.co/LKHRuMN2jm @YouTubeより