What do marketplaces look like in the age of AI?
Some will grow, some will shrink, and some will disappear. It's a new era for the marketplace model!
My take on who will be impacted - and how 👇
In 2016, Pharrell Williams visited an N.Y.U. music production class to critique student songs.
After he listened to a song called “Alaska” by a student named Maggie Rogers, he explained why “I have zero, zero, zero notes for that:”
I love this post as a recent creative exec 🚀. So what about the supply chain? How content gets made, how creative teams are built. Processes today are inadequate for the rate it’s needed at. When everyone flees, this is a perfect time to examine from top to bottom.
U.S. streaming services are expected to spend upwards of $115Bn on programming this year 📽️
And while tech valuations are 📉, the opposite is true for content studios (up 2-3x) 📈
Here's why investors are pouring billions into studios like @A24 & @hellosunshine in 2023👇
This thread is going crazy bc the industry needs a legit re-haul. As execs and producers we need to look under every rock instead of relying on the same avenues to find creative talent. We all go to the same agents anyways …
@casjlou I love this thread so much. As an exec @ Sony it’s so hyper filtered that I rarely had exposure to new writers and directors, just the same voices. I usually discovered new people myself. There’s new matchmaking platform called Callo - https://t.co/oiZevOTnLF that is solving this
Daniel Kaluuya thinks he’s at the end of a chapter in his career. Since #GetOut, he’s been nonstop, and he’s questioning what makes him happy, what excites him: “It could be the same trajectory that I’m on, but I got to make sure it’s that” https://t.co/W863bVBVIW
Struggling to build a team in the film, television, media for a upcoming project? I have a questionnaire for you! Your life is great? I also have a questionnaire for you 🎞🎞
#FilmTwitter#ScreenwritingTwitter
https://t.co/fQi4JqlM1F
This is incredibly honest, I see many talented individuals put so much emphasis on competitions and festivals as the end all be all and dictating their value. But it’s true, the goal is to see your work on screen and $ in hand.