Van Gogh, closely.
One detail. One letter. One place.
Not the ear story on loop.
Most posts: a detail you can check.
Some posts: the full page on https://t.co/Sj2DOIzzTY.
Start here → https://t.co/odLN5L2V0N
or any post below with a link.
The full painting. 72.5 × 92 cm.
Starry Night over the Rhône (1888) — Arles
“I absolutely must paint a starry sky.”
— Vincent van Gogh to Theo van Gogh, Letter 691, on or about Saturday, 29 September 1888
The position of the Great Bear is not quite accurate — this is not an astronomical record, but the trace of a man extracting night from within himself. He stood on sand, candles on his hat brim, using artificial light to capture starlight.
The Potato Eaters, the final version .
"I want people to smell the steam of potatoes."
- Van Gogh (1885 Nuenen)
“I have tried to make it clear how those people, eating their potatoes under the lamplight, have dug the earth with those very hands they put in the dish, and so it speaks of manual labour, and how they have honestly earned their food.”
- Vincent to Theo, Letter 497, Thursday, 30 April 1885
This is not a rural genre painting — it is testimony to the dignity of labour. The lamp illuminates only food and hands; faces remain in half-darkness.
Fifteen sunflowers. Yellow on yellow
He challenged himself: can an entire painting be made from variations of yellow alone?
Sunflowers (fifteen) (1888) — Arles
“I’m painting with the gusto of a Marseillais eating bouillabaisse, which won’t surprise you when it’s a question of painting large Sunflowers. I have 3 canvases on the go,
1) 3 large flowers in a green vase, light background (no. 15 canvas),
2) 3 flowers, one flower that’s gone to seed and lost its petals and a bud on a royal blue background (no. 25 canvas),
3) twelve flowers and buds in a yellow vase (no. 30 canvas). So the last one is light on light, and will be the best, I hope.”
— Vincent van Gogh to Theo van Gogh, Letter 666, 22 August 1888
Chrome yellow, cadmium yellow, Naples yellow; each bloom a different shade. This was a decoration for Gauguin's room.
The reason Van Gogh comforts people has almost nothing to do with his paintings.
It's this: he lets you believe that being unseen isn't the same as being worthless.
Nobody clapped while he worked. The work was already real.
Who's a "Van Gogh" you know—someone the room hasn't figured out yet?
"I paint to stop thinking."
-The film has Van Gogh say:
His letter says something quieter
—work "keeps me in order."
We reblog the escape version a hundred times more than the real one.
I think we've got it backwards.
He didn't paint to disappear.
He painted to stay.
This street ad in Chongqing is blowing up right now.
Warren Buffett starring as their "China Image Ambassador" 🤯
Ngl, I totally thought it was a bootleg at first.
@PascuOnFire Une stupide utilise une fausse facture ridicule pour attirer l'attention d'autres imbéciles et tente de tromper un algorithme stupide pour gagner de vrais dollars.