fazil moradi فاضل مرادی

cross-disciplinary - imaginary poetry, worldly literature, dancing philosophy, moving anthropology, algorithm/Baghdad - -

[fazil moradi فاضل مرادی @FazilMoradi]

'"Catastrophic Art" issues a fulsome call to open to the "haunting of epistemicide" by asking "how did this come to be here?" The display of art can be an object lesson in violent dispossessions on view.' @ztsamudzi @dirkmoses @NoraAlbadri @monznomad @AlexLHinton @CirajRassool

[Public Culture @PubCultJournal]

Fazil Moradi's (@FazilMoradi) "Catastrophic Art" issues a fulsome call to open to the "haunting of epistemicide" by asking "how did this come to be here?" The display of art can be an object lesson in violent dispossessions on view.

https://t.co/09eDWjlPhb

[fazil moradi فاضل مرادی @FazilMoradi]

@KuK_TUBerlin @BerlinBiennale @VolkswagenSt Catastrophic Art - @stwajda @LeviLivy @H_Mat_Culture @museums_society @HCDGroup @GUnrecht @KuK_TUBerlin @AdK_Berlin @DrJennie_Morgan
@Feli_Bodenstein @SnoepNanette @BerlinBiennale
@VolkswagenSt

https://t.co/YAVI1oTkSu

[Johannesburg Institute for Advanced Study (JIAS) @JIAS_UJ]

Actuvirtual Symposium: ‘Africa beyond Liberal Democracy'

Date: 29 September 2022

Time: 16:00- 18:00 (SAST)

RSVP on https://t.co/Op2HIjGPaq to receive the Zoom details.

Email [email protected] if you encounter problems.

[fazil moradi فاضل مرادی @FazilMoradi]

Actuvirtual Symposium @jias
‘𝐀𝐟𝐫𝐢𝐜𝐚 𝐛𝐞𝐲𝐨𝐧𝐝 𝐋𝐢𝐛𝐞𝐫𝐚𝐥 𝐃𝐞𝐦𝐨𝐜𝐫𝐚𝐜𝐲’

DATE: 29 September 2022
TIME: 16:00 – 18:00 (SAST)
RSVP https://t.co/o963HSjVMo

[fazil moradi فاضل مرادی @FazilMoradi]

ıllıllı ᴀᴄᴛᴜᴠɪʀᴛᴜᴀʟ ꜱʏᴍᴘᴏꜱɪᴜᴍ ıllıllı @JIAS_UJ

‘𝐊𝐮𝐫𝐝𝐢𝐬𝐡 𝐖𝐨𝐦𝐞𝐧’𝐬 𝐅𝐫𝐞𝐞𝐝𝐨𝐦 𝐌𝐨𝐯𝐞𝐦𝐞𝐧𝐭’
Nov. 17, 2022, 16:00 – 18:00 (SAST)
RSVP: https://t.co/437z7vdPx5
@goranbabaali @ozlem_goner @soaskurdsoc @VoaKurdish @lost_research @UJ_Humanities

[fazil moradi فاضل مرادی @FazilMoradi]

@umac_icom @SnoepNanette https://t.co/YAVI1oTkSu

[fazil moradi فاضل مرادی @FazilMoradi]

@pejulayiwola https://t.co/YAVI1oTkSu

[fazil moradi فاضل مرادی @FazilMoradi]

@godgate223 @NjeriCologne @SnoepNanette https://t.co/YAVI1oTkSu

[fazil moradi فاضل مرادی @FazilMoradi]

Cet essai offre un récit de grande envergure du pillage et de la destruction des savoirs par l'impérialisme #colonial, remettant en question la politique régnante de #restitution et de #provenance et explore l'hospitalité comme un moyen de vivre avec la hantise du #colonialisme👇

[Public Culture @PubCultJournal]

Fazil Moradi's (@FazilMoradi) "Catastrophic Art" issues a fulsome call to open to the "haunting of epistemicide" by asking "how did this come to be here?" The display of art can be an object lesson in violent dispossessions on view.

https://t.co/09eDWjlPhb

[fazil moradi فاضل مرادی @FazilMoradi]

''Catastrophic #Art' offers a far-reaching account of #imperial-#colonial #looting & destruction of knowledges, ..' #Restitution #BeninCity @artnews @WIONews @JoburgReview @hyperallergic @ismailfarouk13 @nickmirzoeff @MISR_Mak @STCollective @nickwestes @RedPedGrl @HannaNoori

[fazil moradi فاضل مرادی @FazilMoradi]

#EdwardSaid, 'Against the Orthodoxies'. #TheSatanicVerses - An epic of migration, instability, and volatility, it challenges all conceptions of fixed identity...' #SalmanRushdie

[fazil moradi فاضل مرادی @FazilMoradi]

@eva_morlang @amina_aziz_ @helen_fares Catastrophic Art,
Public Culture (2022) 34 (2 (97)): 243–264.
https://t.co/YAVI1oTkSu

[fazil moradi فاضل مرادی @FazilMoradi]

Marwan Makhoul on politics and poetry, from his book, Where is my Mother/In Search of My Mother, أين أمي.

[Palestine Writes @PalestineWrites]

Marwan Makhoul on politics and poetry, from his book أين أمي.

[Public Culture @PubCultJournal]

Our topics in this issue range from suppressed minorities to the arts of catastrophe, from public secrets to secret publics, from post-grid sovereignties to viralized sexualities, and from meditations on incalculable costs to reckoning with unpayable debts.

[The Reading List @readinglist_]

.@PenguinBooksSA has shared an excerpt from Glory, an effervescent, punchy, piercingly funny novel exploring the fall of Robert Mugabe from Booker-shortlisted Zimbabwean novelist NoViolet Bulawayo!

https://t.co/EA1lDbyZ89

[fazil moradi فاضل مرادی @FazilMoradi]

@artnews @madjane_ https://t.co/YAVI1oTkSu

[fazil moradi فاضل مرادی @FazilMoradi]

𝗖𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗶𝗰 𝗔𝗿𝘁 https://t.co/YAVI1oTkSu… - 𝙋𝙡𝙚𝙖𝙨𝙚 𝙨𝙝𝙖𝙧𝙚 @shelasheikh @bungatuffie @HKW_Berlin @birkbeck_arts @NadjeAlAli @HouzanM @HoWaziri @RosGray1 @URosario @CAS_SOAS @auukarekezi @ali_bnayan @ugur_umit_ungor @barskanmaz

[Public Culture @PubCultJournal]

Fazil Moradi's (@FazilMoradi) "Catastrophic Art" issues a fulsome call to open to the "haunting of epistemicide" by asking "how did this come to be here?" The display of art can be an object lesson in violent dispossessions on view.

https://t.co/09eDWjlPhb

[fazil moradi فاضل مرادی @FazilMoradi]

𝗖𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗶𝗰 𝗔𝗿𝘁 https://t.co/YAVI1oTkSu - 𝙋𝙡𝙚𝙖����𝙚 𝙨𝙝𝙖𝙧𝙚 @e_flux @warstudies @SultanAlQassemi @jadaliyya @iraq_heritage @MISR_Mak @RKHO12 @Heritage_Things @AfricaDHeritage @RGHeritage @IUAESCOMACH @HumanityJ @fbhutto @cachemq @GSSC_Cologne @AinIraq

[Public Culture @PubCultJournal]

Fazil Moradi's (@FazilMoradi) "Catastrophic Art" issues a fulsome call to open to the "haunting of epistemicide" by asking "how did this come to be here?" The display of art can be an object lesson in violent dispossessions on view.

https://t.co/09eDWjlPhb

[Public Culture @PubCultJournal]

Public Culture 97 | A Critique of Pure Dumbfoundedness

[Goran Baba Ali @goranbabaali]

This is an amazing article, Catastrophic Art, by Fazil Moradi, associate professor at the Johannesburg Institute for Advanced Study. University of Johannesburg.
https://t.co/qxLVDGRoaL

[fazil moradi فاضل مرادی @FazilMoradi]

𝗖𝗮𝘁𝗮𝘀𝘁𝗿𝗼𝗽𝗵𝗶𝗰 𝗔𝗿𝘁 https://t.co/YAVI1oTkSu - 𝙋𝙡𝙚𝙖𝙨𝙚 𝙨𝙝𝙖𝙧𝙚 @mpushntabeni @bonganimadondo @mahlephula @FredKhumalo @ASnA_Editors @lost_research @WitsWiSER @TC_Africa @NordicAfrica @IASUG @FemiOke @Chikaokekeagulu @DrMZPhiri @byranadasgupta

[Public Culture @PubCultJournal]

Fazil Moradi's (@FazilMoradi) "Catastrophic Art" issues a fulsome call to open to the "haunting of epistemicide" by asking "how did this come to be here?" The display of art can be an object lesson in violent dispossessions on view.

https://t.co/09eDWjlPhb