Por favor necesito mucha ayuda no puedo hacerlo sola , tienen que llevarme a el hospital este lunes y no tengo fondos para ir , por favor estoy vendiendo YCH Para cubrir los gastos de el viaje , tengo mi página de ko-fi, mi papá está haciendo lo posible.
@CartoonsOTMoon La animacion me recuerda un poco a esta otra pelicula hecha por una sola persona, una adaptacion de un libro de la Biblio pero con los personajes convertidos en animales xd
https://t.co/c1O3SBGLcw
Homenaje y Collage al Actor de Doblaje y Locutor Colombiano Fabio Arciniegas.
Conocido por ser la voz de Carlos en el programa Loquendo, Hordak en Amos del Universo: Revolución, Rick en El regreso de la reina de Versalles, etc.
Feliz Cumpleaños!!! 🎈🎂🎊
"Protagonista llora."
"Poder regalado."
"Mirio debió ser el protagonista."
"Deku dejó que Shigaraki matara gente" (no lo hizo)
"Odio que Deku tenga demasiados poderes."
"Odio que Deku termine sin poderes."
"No besó a Uraraka al final."
Razones estúpidas y superficiales.
When our instructors at Krenz Artwork Academy practice from photo reference, they work in four different ways.
1. Straight extraction, normal proportions.
Read the gesture, the shape characteristics, the height and build of the figure. Then get it down as it is.
2. Change the camera angle.
Set up a space seen at eye level, turned 45 degrees, and draw a box with 2x2x4 proportions inside it. Rebuild the pose in that space, working from where the joints sit: shoulders, knees, the coordinates that hold the figure together. Turn the box and the figure inside turns with it. This is where perspective boxes do the work.
3. Same angle, different camera distance and focal length.
A mid-range shot and a wide-angle shot give you two very different images. This one is harder to control.
4. Extract the gesture, change the proportions.
Push it toward an American comics build, or toward chibi proportions.
One and four are flat translation. Two and three are spatial thinking. They ask for different skills.
Think about your own practice for a moment. If you only train flat thinking, copying goes fine, but the pose stops being editable the moment you work without reference. If you only train perspective, space, and boxed figures, your grasp of shape falls behind and the drawing comes out stiff.
Both sides need the work. That is how a drawing ends up with correct perspective and rhythm at the same time.