Visual Effects | Virtual Production Supervisor | Cinematographer | Governor VFX @ TV Academy | Founding Member CCAI - Creators Coalition on AI | SMPTE RIS chair
Stoked to have been Supervising the American Society of Cinematographers (ASC) @AmericanCine StEM3-VP Project to the (ASWF) Digital Production Example Library (DPEL). This has been a long effort by many the resources are open source for the industry. https://t.co/azdLhpjdXA
“If it can be written or thought, it can be filmed.”
Honouring and celebrating the life and career of #StanleyKubrick this #KubrickDay, on what would’ve been the 93rd birthday of the husband, father, friend and inimitable Director. #BornOnThisDay
For my first post, I’m sharing a letter @NVIDIA signed on why open models matter.
AI will transform every industry, power every company, and be built by every country.
Open models strengthen safety and cybersecurity, accelerate innovation and diffusion, and enable sovereignty.
The world needs both frontier closed models and frontier open models.
https://t.co/AUKzoQ5Ikb
@TheoMediaAI@gregschoeninger Guessing most of the YouTubers pushing this platform currently haven’t read any TOS from this sketchy company but they’ll take the money.
Vincent D’Onofrio on Stanley Kubrick 🪖❤️ In anticipation of Criterion’s upcoming box set THE COMPLETE KUBRICK, Vincent D’Onofrio shares his memories of working with Stanley Kubrick on FULL METAL JACKET, the legendary director’s blistering 1987 film starring D’Onofrio as brutalized Marine Corps recruit Private Pyle.
I guess my questions for @NeillBlomkamp was the QC passes not picked up for the shot inconsistencies across the short ? London open had hallucinations. Could Seedance not generate the alt takes for the continuity errors from shot to shot in the same sequence’s ?
THE NEVERENDING STORY was released 42 years ago today.
The filmmakers built a full-size animatronic Falkor that was nearly 43 feet long and weighed several tons. It remains one of the largest practical fantasy creatures ever created for a film.
Stoked to have been Supervising the American Society of Cinematographers (ASC) @AmericanCine StEM3-VP Project to the (ASWF) Digital Production Example Library (DPEL). This has been a long effort by many the resources are open source for the industry. https://t.co/azdLhpjdXA