I think the showrunners need to start saying fuck no. If I’m doing 8 to 10 eps, I always insist on 6 to 7 writers. Out of those, I always want 1/3 to be lower level, 1/3 mid, and 1/3 upper. It’s the best way to build a room, in my opinion.
Aaron Paul revealed that he earns $0 in residuals from streaming despite BREAKING BAD doing constant numbers for streamers. "I don't get a piece from Netflix on BREAKING BAD to be totally honest and that's insane to me." #AMPTP
Journalists and management are DYING to find a division somewhere. Screenwriters vs TV writers? Lower levels vs showrunners? But there’s no divide. We didn’t come this far to only come this far.
Messi on his superhero celebrations:
‘My three kids are still on vacation and haven't started school yet, so every night we watch superhero movies.
They came up with the idea and told me that whenever I have a game and score a goal, I do a superhero celebration.
But I only do them for home games, when the kids are here, near me, so we can share those moments.’
🦸♂️
“How long the strike can go on is not the issue right now," says WGA Negotiating Committee co-chair Chris Keyser. "It’s how long does it take us to make this a profession that we can survive in…We’re going to fix the system that they broke.” https://t.co/Lfmz7YUCey
People like Taylor Sheridan may think they are auteurs, but the only reason the can even function is because the dedicated assistant staff behind the curtain who swallow BS daily, and do their job, so that their bosses can look good and make countless times more than they do.
SCs are the pinhole through which ALL of the writers’ work passes through for production. Every misspelling, slugline discrepancy, unclear moment, format concern lands squarely on their shoulders. To deliver a remotely produceable script is a miracle, and it’s what SCs do all day
Every script coordinator I’ve ever worked with has *saved my ass* on more than one occasion. (Hi @fitzerschnitzel@trashquez@msjoellegarf@daniellenuss). The hours are insane, the work can be thankless, and THEY MAKE SURE WRITERS DON’T LOOK DUMB WHEN WE DO DUMB THINGS
Assistants deserve so much more than we give them. SO MUCH. And the best tool I can offer my students is an experience of being one in a safe environment. And sharing my own horror stories - and countless others I’ve heard - to equip them for their careers.