Another short week on the side-channel, but at least Umineko Fridays are back! More Pokemon fangame, YIIK, and Bingo!
🌟 @VeggieBLTail | https://t.co/wel1m9RnKI
🌟 Gacha/VNs: https://t.co/wNl2FRSCiQ
🌟 Carrd: https://t.co/4ZJ7Gl09sd
🎨: @/junkdoq
Oh god we actually have to go on Alex Yiik's apology tour. NOT LIKE IT ISN'T DESERVED. This guy is like if Harry Dubois was somehow even more pathetic I hope a piano falls on him. Continying YIIK: A Post-Modern RPG! https://t.co/f3gtlSKGNl
@IrateMaxwell when i watched the backrooms one of my first thoughts was that it was very brave of them to subvert stereotypes by having a black person make stupid fucking decisions in a horror movie
I keep thinking about Backrooms, that it’s a movie made by someone young now, about people being trapped in and forced to wander and sift through the banal and garish detritus of the late 20th century, warped and monstrous things being built from flimsy memories of that era
I think Obsession had stronger writing and acting, but everything about Backrooms, from its overarching themes to its raw environmental design, will stick with me for much longer. Does that make sense?
After I read that it's an independent production I RAN to grab my card.
An independent production means that the majority of this money will go DIRECTLY to Shirahama sensei.
Did you know that mangaka only get 10% on domestic sales & 3% on international sales? #WitchHatAtelier