Wow, I can't believe you stayed up all night again. Might as well commit one more reckless act before turning in. Our suggestion:
https://t.co/jUXOu43B2B.
4 years ago was published in @FLAPPERHOUSE. Miss those guys. One of those few short stories written I still think pretty good. Somehow captured the mood of what was coming down the pipe. "What’s the use of a lockdown when they’re already in the building?" https://t.co/NF8BR5AzNJ
a great journal run with extraordinary kindness. first editor to publish me in print and demand revisions, interrupting a class I was teaching in Fall 2017, waving around both the middling pages I had sent and an improvised bomb. But it helped.
having just watched the first episode of brand new cherry flavor, in which a woman vomits a live cat, I would like to bring up my @FLAPPERHOUSE story in which same https://t.co/70diEsyI2i
Following the code of the film Repo Man, and the Plate-o-shrimp Theory™, a link to my story “Prolific: The Obituary of Jack O’Brien” https://t.co/LfSPOumiwr in @FLAPPERHOUSE
inspired by “Who’s Who in the Cast” by Marshall Brickman.
Following the code of the film Repo Man, and the Plate-o-shrimp Theory™, a link to my story “The Monster Study” in @FLAPPERHOUSE in which I discuss how The Cambodian Genocide influenced A Nightmare on Elm Street. https://t.co/b62VQLiCcq
Oh I miss @FLAPPERHOUSE! Thanks for sharing this, @scottneuffer. It's the most experimental piece I've written and I was so excited when it found a great home.
A loose interpretation of the code of the film Repo Man, and the Plate-o-shrimp Theory™, a link to my short story “The Monster Study” in @FLAPPERHOUSE about The Cambodian Genocide being a partial influence for A Nightmare on Elm Street. https://t.co/b62VQLiCcq
If you still miss us, check out @MagExcuse. They have 3 issues out so far, including pieces by FH contributors like @BlondeBitters & @AnnaTizard, plus many other writers we wish we could've published. And in many ways they're even weirder, punker, & zine-ier than we ever were!