Great day rehearsing with Izumi Kimura, Shane Latimer and Alessandro Massobrio preparing Alessandro’s new commission for Music Current Festival, Calanchi (erosion furrows cut into soils by water), a forensic exploration of piano and …
'Beyond Pitch' brings together panellists Alessandro Massobrio, Francis Heery, Izumi Kimura, Jaki Irvine, Michael Maierhof & Natacha Diels, with discussion chair CMC Director Evonne Ferguson.
Join us on 12 April @ 6pm
Free tickets from @projectarts#MusicCurrent@DublinSoundLab
New work 'Calanchi' - Music Current Commission Award @DublinSoundLab - for piano (Izumi Kimura) and electric guitar (Shane Latimer). Can't wait to be in Dublin at the festival.
Full programme →
https://t.co/2Fgo4C2GoK
#MusicCurrent#ContemporaryMusic@projectarts
We are delighted to announce the Music Current commission for 2023 has been awarded to Alessandro Massobrio to write a new work for piano and electric guitar, for Izumi Kimura, @73izm and Shane Latimer.
The idea that a global sustainability can be addressed by global solutions is a paradox. Only diversity is sustainable and global in that it holds Differences. 🌈🌍
https://t.co/obozFPJ0pG
#Sustainability#Diversity#Difference#allsourcesarebroken
Hey! Tomorrow we will be running a workshop about our media art project All Sources Are Broken as part of
@pixelache festival Sign-up until Midnight for "All Sources are Broken - A Post-digital Reading Group" on https://t.co/kjRZMcBrxc 🔴📢
Today @ Labor Neunzehn Berlin: opening concert of Cluster series 2020. With Ruben Mattia Santorsa and a beautiful fragile programme for contemporary classical and electric guitar. I’ll see you there! 😷 🖤 🎸 #contemporarymusic#berlin#laborneunzehn#fieldnotesberlin
Tomorrow livestream première 😷 of my piece “Senza” (for piano and percussion) at MISE-EN NEW MUSIC FESTIVAL (2:30pm NYC, 20:30 Berlin CET).
Looking forward! 😃
Concert link: https://t.co/jhANkD64gM
@ensemblemiseen
German detached attitude to medical research, inhuman experimentation, and non-phenomenological approach to illness keep alive; truly, a horrifying machinery 👏🏽
It’s beautiful to re-open own musical projects, this time not for a performance but for an upcoming art publication about new music #notation. This is from a 2007 piece where I developed a few musical symbols, which will be a part of the book.