THE DOOMED LOVERS | DELPHINE & CAROLE — SUMMERTIME (2015)
DARLING, SHE WENT LOOKING FOR FREEDOM. SHE FOUND A FEMINIST WITH A BOYFRIEND.
Let’s talk about Delphine and Carole.
It’s 1971, and Delphine has traded the family farm for Paris, hoping for a little independence.
Instead, she meets Carole.
Cécile de France brings the confidence, the charm, and the kind of smile that could derail an entire five-year plan. Izïa Higelin brings the longing of a woman who suddenly knows exactly what she wants.
One tiny complication?
Carole has a boyfriend.
Which is inconvenient when the girl you’re falling for is busy fighting for women’s liberation.
But darling, who said revolutions were supposed to be tidy?
The chemistry is glorious. The stolen moments, the nervous looks, the way their entire world seems to shrink to two women in a room.
Then Delphine’s father falls ill, and Paris gives way to the countryside.
Carole follows her, because love makes people optimistic about meeting the family.
Unfortunately, the family and the village haven’t exactly embraced the sexual revolution.
And that’s where Catherine Corsini breaks our hearts.
Carole knows how to demand freedom. Delphine is still learning how to claim hers.
Neither loves the other any less for it.
Some romances end because the passion disappears.
This one ends because the world outside the bedroom won’t let them breathe.
THEY FOUND LOVE IN A REVOLUTION. KEEPING IT WAS ANOTHER STORY.
THE DEADLY ATTRACTION | Maya & Samar — MAYA & SAMAR (2025)
DARLING, SOME WOMEN WILL STEAL YOUR HEART. OTHERS WILL TURN YOUR ENTIRE LIFE INTO A HEADLINE.
Let’s talk about Maya and Samar.
Athens, Greece.
A city of ancient ruins, beautiful strangers, sleepless nights, and spectacularly questionable romantic decisions.
Enter Maya (Nicolette Pearse).
A Canadian journalist. Young, ambitious, sexually liberated, and blessed with the kind of confidence that makes falling into trouble look like a perfectly reasonable career move.
Darling, freedom is practically her personal brand.
And then there’s Samar (Amanda Babaei Vieira).
An Afghan refugee. A queer woman. A survivor.
Having escaped the Taliban, Samar finds herself in Athens, undocumented and dancing in a nightclub to make ends meet.
She’s beautiful. Defiant. Mysterious.
But unlike Maya, she knows freedom is never guaranteed.
Two women.
Two entirely different realities.
One spectacularly reckless encounter.
Because when Maya meets Samar, the attraction is immediate.
Electric.
Unapologetic.
The kind of chemistry that sets a room on fire before anyone thinks of an extinguisher.
What follows is a torrid affair fueled by curiosity, desire, and the intoxicating excitement of discovering someone whose world couldn’t be further from your own.
Maya is fascinated.
Samar is irresistible.
And somewhere between stolen kisses, tangled sheets, and blurred boundaries, their relationship becomes far more complicated than a delicious little holiday romance.
Because here’s the trouble with falling for a woman whose life you don’t fully understand.
Sometimes, you mistake fascination for intimacy.
And sometimes, darling, you confuse access with trust.
For Maya, Samar represents an extraordinary story.
A woman who has survived persecution and fought for the freedom to exist on her own terms.
For Samar, Maya offers attention. Possibility. The illusion of being truly seen.
But there’s a rather inconvenient difference between being someone’s lover and becoming someone’s subject.
And when the woman sharing your bed happens to be a journalist looking for her next big story?
Oh, sweetheart.
THAT’S WHEN THE REAL TROUBLE BEGINS.
Suddenly, desire isn’t the only thing on the table.
There’s ambition. Privilege. Exposure.
The temptation to turn somebody else’s survival into your own moment of glory.
Two women can share extraordinary physical intimacy while remaining worlds apart in everything that truly matters.
Nicolette Pearse plays Maya with reckless confidence; Amanda Babaei Vieira gives Samar sensuality and fierce self-possession.
Together, they embody a relationship as seductive as it is profoundly unequal.
And that’s what makes their attraction so dangerous.
Not the passion.
Not the cultural differences.
Not even the secrets.
It’s the possibility that one woman walks away with a career-defining story while the other faces the consequences of having trusted her.
Because love, lust, and liberation don’t always speak the same language.
And a passionate affair isn’t necessarily a promise of protection.
Anita Doron’s MAYA & SAMAR takes a forbidden romance into a world where visibility can be both intoxicating and devastating.
It’s sensual. Provocative. Messy.
And deliciously uncomfortable when desire collides with privilege.
After all, darling, there’s nothing particularly scandalous about two women falling into bed together.
THE REAL SCANDAL BEGINS WHEN ONE OF THEM DECIDES THEIR PRIVATE AFFAIR DESERVES A PUBLIC AUDIENCE.
Because some lovers leave you breathless.
Some leave you heartbroken.
And some?
SOME WILL MAKE YOU FAMOUS WHILE DESTROYING EVERYTHING YOU WERE TRYING TO PROTECT.