Utancımdan yerin dibine gireceğim bir olay yaşıyorum şu anda. Amazon'dan bir şey aldım. 1000₺'ye %20 indirim vardı. 998₺ tuttu. Ben de 15₺'ye sakız attım sepete 1000₺ olsun diye. Ve şu anda sakız tek başına kargoya verildi, yola çıktı. Koca zarf ve içinde sakız var. Evet..
Bugün eşimle Tarsus'ta tarihi mekânları geziyorduk. Bir dükkâna girip St. Paul Kilisesi nerede diye sordum. Kan ter içinde döner kesen usta, elini önlüğüyle silip dışarı çıktı ve Danyal Aleyhisselam'ın kabrine gittin mi diye sordu. Hayır, dedim. Bilal-i Habeşî Makamı'na gittin mi? Hayır! Kubat Paşa Medresesi'ne gittin mi? Ona da hayır... Önce oraları gez, sonra kiliseye gidersin, dedi ve arkasını dönüp döner kesmeye devam etti. Uzun zamandır bu kadar morartılmamıştım. Dediği yerleri tek tek gezdik, kiliseye de gitmedik. :)
This is a statue of the only man in Troy who saw the trap. He tried to warn everyone, and this is what the gods did to him because of it...
His name was Laocoön, a Trojan priest. When the Greek army vanished and left a giant wooden horse outside the city gates, all of Troy celebrated. Only Laocoön refused to believe it. He warned his people the horse was a trick and, to prove it was hollow, hurled his spear into its side.
In Virgil's telling, he spoke a line that has outlasted almost everything else about Troy: "I fear the Greeks, even when they bring gifts."
He was right. The horse was packed with soldiers, and Troy was hours from destruction.
This sculpture shows what he got for it. Two enormous sea serpents rise out of the sea and coil around him and his young sons, dragging all three down together. The father's whole body is knotted in the struggle, every muscle straining, his face locked in a scream. The gods wanted Troy to fall, and Laocoön was in the way.
The Trojans watched him die in agony and drew exactly the wrong conclusion: they decided the gods were punishing him for attacking a holy gift. So they pulled the horse inside their own walls, and that night, Troy burned...
The statue is called Laocoön and His Sons. It is the work of three Greek sculptors from the island of Rhodes, Agesander, Athenodoros, and Polydorus, and dates to the Hellenistic period, making it well over two thousand years old.
Buried for more than a thousand years, it was dug out of a Roman vineyard in 1506, and Michelangelo rushed across Rome to see it the day it was found.
It has been called the single greatest depiction of human suffering in the history of art, but it endures because of what it is really about: the man who sees the truth, says it out loud, and is destroyed for being right while the crowd watches...
It is one of the oldest patterns there is, and it has never stopped repeating.
There is nothing new under the sun.