Here is some context for those asking/wondering what weโre talking aboutโฆ
The Story of QDEOKS (a.k.a. Q ๐ฆ)
So, QDEOKS, a.k.a. Q ๐ฆ, was an ARMY who became something of a legend in the streaming trenches sometime around 2019 to 2022, if I remember correctly. ๐ค๐ค๐ค
During those years, QDEOKS was extremely active in helping ARMY access streams for BTS content that was either paid, region-locked, or otherwise inaccessible to international fans.
QDEOKS became so synonymous with getting ARMY access to paid content that the name became pretty well known within the fandom and, apparently, to the people on the other side of the paywall too. ๐
But QDEOKS wasn't just about finding a stream when BigHit put something behind a paywall.
When COVID hit in 2020 and the Map of the Soul tour was postponed, BTS and ARMY were suddenly stuck at home, the world was falling apart, and we were all desperately looking for ways to feel connected to each other and to BTS themselves.
And this is where QDEOKS really cemented their place in ARMY history.
Before BigHit officially announced BANG BANG CON, QDEOKS organised a massive fan-run online concert marathon, streaming archived BTS concerts, and Musters across platforms and creating an actual schedule so ARMY around the world could all tune in together.
And when I say massive, I mean this was not QDEOKS sitting in a corner with a laptop going, "Hey guys, wanna watch a DVD?" ๐
It was a whole damn production.
There was a fan-made concert schedule, streams running back-to-back, tens of thousands upon thousands of ARMY tuning in, and live commentary on the TL absolutely losing our collective minds.
It gave ARMY something that was desperately needed during lockdown: a reason to gather and find some happiness.
And then, shortly afterwards, BigHit announced BANG BANG CON.
Now, I don't want to claim that QDEOKS single-handedly invented BANG BANG CON because unless Big Hit themselves have gone on record saying that, we simply don't know that. But the timing is ๐ ๐
QDEOKS had already demonstrated that ARMY would absolutely turn up for an organised online BTS concert marathon, and then Big Hit launched an official version of essentially the same basic idea.
So whether you call it inspiration, influence, coincidence, or BigHit seeing what ARMY were already doing and thinking "hmmmmm, perhaps we should be doing this ourselves"...
QDEOKS's contribution to that moment in ARMY history is pretty damn significant.
And honestly, during a global pandemic, when people were isolated in their homes and couldn't go anywhere, BANG BANG CON became one of the things that brought ARMY together.
So when people talk about QDEOKS as just some account that used to find streams, they're missing a pretty big part of the story.
And THEN we get to another part of the QDEOKS story.
During BTS or BTS-related broadcasts, particularly region-locked ones, unofficial streams would frequently get taken down, only for another one to appear shortly afterwards.
It basically became Whac-A-Mole: BTS Broke-ARMY Edition.
๐จ Stream taken down.
๐ฆ Q1: New stream appears.
๐จ That one gets taken down.
๐ฆ Q2 has entered the chat.
๐จ TAKEN DOWN.
๐ฆ Q3 HAS ENTERED THE CHAT.
You get the idea. ๐
One particularly memorable example was the December 31, 2020 to January 1, 2021 New Year's Eve Live concert.
The screenshot below shows the message that appeared on unofficial streams while the concert was in progress, warning viewers that the broadcast was unauthorised and directing them towards the official service.
QDEOKS was reportedly one of the largest, if not the largest, unofficial streams being targeted at the time.
So yes, somewhere in BigHit's control room there was apparently a team of people watching illegal streams and trying to shut them down.
And they still do this now.
So don't be surprised when some rando account suddenly DMs you asking, "where are you watching?" That could be a BigHit intern. ๐๐๐
QDEOKS also had a website that served as a repository for streams and video content. And that site, unsurprisingly, also found itself repeatedly dealing with takedowns.
I honestly don't know exactly what eventually happened to the site. But after years of dealing with copyright enforcement and the general headache of running an unofficial streaming operation for one of the most heavily image-protected acts on the planet, QDEOKS eventually appears to have hung up the streaming boots and retired from the game.
And honestly? Fair.
Imagine spending years playing digital cat-and-mouse with BigHit's lawyers and copyright department just so some ARMY in another country can watch BTS on a stream at 3 a.m. ๐ญ
As far as I know, QDEOKS is still around and still an ARMY, occasionally appearing here on the TL.
But the streaming era of Q ๐ฆ? Retired.
She served her time in the trenches so that ARMY could watch Bangtan. ๐ซก
QDEOKS, wherever you are: thank you for your service. ๐
#BTSARMYHistory
Everyone remembers the attack on the Mumbai railway station on 26/11, the gunmen walking the platforms, more than fifty people killed. Almost nobody remembers the announcer whose voice sent hundreds of strangers running the other way while the bullets were still flying.
His name is Vishnu Dattaram Zende.
On the night of 26 November 2008, he was on duty in the announcer's cabin at Chhatrapati Shivaji Terminus, a raised glass room looking out over the platforms. It was near the end of his shift when he heard a loud blast and gunfire, and saw people running.
Two terrorists had walked into the busiest station in the country and begun shooting everyone in sight. At that station alone, they would kill more than fifty people.
From his cabin he could see the whole layout, and he understood something fast. Local trains were still pulling in, each one about to pour hundreds of passengers straight onto the platforms where the gunmen were standing.
He had a microphone that reached every platform. He decided to use it, even though it meant staying exactly where he was, in full view, instead of hiding.
He began making announcements, over and over, in Hindi and Marathi, telling people not to come to the main concourse, telling them to leave by the rear exits, warning them away from the guns.
Hundreds of people changed direction because of that voice and walked out of the station instead of into the bullets.
The terrorists worked out where the announcements were coming from. They came and stood almost directly below his cabin. One of them fired up toward him. He kept low, waited, and when he could, went back to the microphone.
He was an ordinary railway announcer on an ordinary shift. He had no weapon and no protection, just a mic and a clear view of what was coming. He stayed at his post and used the one tool he had to push strangers out of the path of the killers.
The men with the rifles are the names everyone remembers from that station. The voice that quietly saved hundreds of the people they came to kill belonged to Vishnu Zende.
"Most artists you interact with are children they're people who got money when they were young or came from money. BTS, on the other hand, are completely professional, completely straight-focused, and always working."
paving the way doesnt always mean the first to win an award, it means the one who makes impact where it matters and allows for those who follow in their footsteps to be seen and treated fairly too. that is what bts are doing, and that takes courage
When Namjoon called out the change ruled of music industry;
๐จ"I donโt know if thatโs right โฆ It just feels like weโre easy targets because weโre a boy band, a K-pop act, and we have this high fan loyalty.โ
WE STAND WITH BTS
WE ARE PROUD OF YOU BTS
BTS OUR FOREVER ARTISTS #WeStandWithBTS
THE FACT JUNGKOOK HAS TO ASK TO FANS TO RESPECT HIM AND NOT STICK CAMERA TO HIS FACE :(
๐ฐ when I went to buy some bread, someone suddenly held a camera right up in my face. I donโt think thatโs polite like Idc how old you are or where youโre from, that kind of behavior felt a bit disrespectful to me. If this somehow reaches that person, I hope they know that it was rude. Other fans politely asked if they could take a photo with me, and I was more than happy to do so.
HE HAS ASKED MULTIPLE TIMES TO BEING RESPECTED WHY ITS SO DIFFICULT TO RESPECT HIM!?!
An Indian institute filmed a professor teaching classical physics with no notes, no slides, and a green board. Almost nobody outside India watches it.
This is Classical Physics, lecture 1, taught by V. Balakrishnan at IIT Madras, published free by NPTEL, India's national open courseware programme.
Balakrishnan taught at IIT Madras for decades. Students who sat in that room describe the same thing: the whole subject held in his head, delivered in order, no paper on the podium.
Lecture 1 is the introduction. What classical mechanics claims, where the claims hold, and the exact points where they stop holding and quantum takes over.
Watch how he speaks. Complete sentences, no filler, each idea finished before the next begins. Rare in any lecture hall on any continent.
A physicist I know worked through the whole NPTEL series and rates it above the western courses he paid for.
Free on YouTube, 17 years online, low resolution, no marketing.
The teaching was never concentrated in the famous universities.
Every time someone argues that reservation should be removed, Saif Ali Khanโs monologue in Aarakshan becomes even more relevant. Bollywood once gave us films that confronted real problems, now it churns out majoritarian propaganda instead