KIM WOOJIN

KEIO(Economics)→漫画編集者 일본 출판만화 편집자
ダンジョンディフェンス、修羅の入獄
1991~ Seoul, 2010~ Tokyo

[KIM WOOJIN @forme_hoj]

こんにちはKADOKAWAの漫画バル編集部にいるウジンです
コミティア152の出張編集部に参加します。興味ある方はMANGAバルブースやDMで声がけください。
週刊連載で少年漫画、女子向けなど広く探しており
個人的には特にネーム作家さん、韓国人作家さんとの協業興味ある方を探しています
#COMITIA152 #コミティア152

[KIM WOOJIN @forme_hoj]

@M4_50x 화이팅

[Boichi @Boichi_Bo1]

Thank you, everyone, deeply for your interest in my writings about the comics/manga industry.

As I have mentioned before, after an incident that occurred around Christmas last year,
I withdrew from many things in my life and spent a period in seclusion.
I was heartbroken by the suffering that cartoonists and artists endure.
However, the warm words of a great senior mangaka and many other people encouraged me to stand up again and keep moving forward.

At that point, I decided that for the next three months I would dedicate myself to one goal:
"Let's work for the future of comics around the world."
During those three months, I worked on many different projects and initiatives.
Those efforts extended not only across Japan and Korea, but also from Africa to North America.

I wanted to give something—however small—to people who love manga.
A gift with a simple message written on it:
"Someone believes in you. Someone believes in your potential."

The first article in my comics industry series was written on the final day of those three months.
I couldn't sleep that night, so I simply sat down and wrote.
Although the post received a great deal of support on X, I honestly expected that to be the end of it.
But then something surprising happened.
The response came not only from readers, but also from people in government, the media, and the comics industry itself.
For years, I had worked hard on YouTube without seeing that kind of reaction.
Yet a post written for X in the early hours of the morning generated exactly that response.
To me, those reactions—from government, industry, and the press—were the very gift I had hoped to give all of you.
That is why, despite being busy, I decided to continue writing a little more about the comics industry.

And so I wrote several more essays.
My approach is simple.

I write each topic from beginning to end in a single sitting.
Then my friend, Steve slowly translate and we post it one by one.

The essay on globalization, for example, was originally written on May 14.
I simply divided it into sections and posted it over ten days.

The essay on piracy manga that I am currently posting was actually completed on May 2.
I have been translating and publishing it over the course of eight days.

When you finish reading these essays, I believe you will realize a few things.
You will realize that Steve and I were already confronting these questions decades ago.
That we spent many years thinking about them, researching them, and searching for answers.
And perhaps most importantly, that we have always cared deeply about everyone who loves comics.
You will come to understand that.

Neither Steve nor I are extraordinary people.
We are deeply imperfect.
Our lives have been filled with mistakes, regrets, and countless moments of uncertainty.
Even today, we are still searching for answers.
We have not found an answer that satisfies everyone.
What we are searching for is simply an answer that can help everyone.
And of this, I am certain.

We have never stopped trying.

Thank you very much!

[KIM WOOJIN @forme_hoj]

이번에 정식연재 확정하시고 도쿄에서 즐겁게 답사하고가신 갓20살되신 작가님
MZ감성 상당히 어렵지만..
축하한다능..
앞으로도 지금처럼 잘해주길!
#출판만화

[KIM WOOJIN @forme_hoj]

너무 좋았다 진짜 영혼이 담긴 각본이라는게 이런거구나..
10년전에 나도 저런 가죽자켓입고 신촌에 있던 한겨례영화학교를 다녔었는데 그게 너무 생각나서 더 깊게 재밌게 본거같다

[MOMO @hxx_jxxx]

운 좋게 처음 준비했던 만화가 U23 소년점프+ ���모전 수상했습니다😭

•만화는 아래 타래에 올려둘게요!!

[KIM WOOJIN @forme_hoj]

최애작가님 윈스턴님의 신작이 네이버에 공개됬습니다!
많은관심부탁드립니다!!

[만화그리는 WINSTON @rept_house]

간만에 인사드립니다.
금주 목요일부터 네이버웹툰/네이버 시리즈에서 현대동양판타지 웹툰 '땅의 기록'으로 연재를 시작하게 되었습니다.
잘부탁드립니다!

네이버 웹툰> https://t.co/dxTowg6enX
네이버 시리즈> https://t.co/ErntrELjZD

[花沢健吾 @hanamanko]

ヒット漫画の作り方

知的好奇心の刺激
主役をしのぐ魅力的な脇役
読者が妄想できる余白

この三つをおさえるだけでかなりヒットに近づくのではないか

やれたこと無いけど

[KIM WOOJIN @forme_hoj]

最近日韓のコンテンツ交流が活発で本当嬉しい

[伊藤潤二 @junjiitofficial]

韓国の漫画家でありタレントのキアン84さんと、歌手・タレントのカンナムさんの番組に出演させていただきました！楽しかったです😊

[芳野嗣 @yo4no2kasa]

#綺麗な君に殺されたい 。
韓国語版の見本誌が手元に届きました！
描き文字もハングルになっててすごい😭
韓国語話者の方にもお読みいただけるのが楽しみです🩸

[KIM WOOJIN @forme_hoj]

ネームにコマの数が適切���迷う時にいい資料だと思いました
「倩」というブロガーさんがジャンプのコマ数を調査した資料です
似ているすごい作品のコマ数を参考にするのも方法だと思います
リンク先の2012年調査と2021年調査で、平均コマ数が減った点も面かったです
ソース： https://t.co/nBsHiS3iZH

[KIM WOOJIN @forme_hoj]

[출판만화는 페이지당 몇컷해요?]
倩이라고 하는 일본의 블로거분이 점프작품의 컷수를 조사해주신 자료입니다
몇컷을 해야할지 모를땐 닮은 작품의 컷수를 참고 하는것도 방법입니다
링크의 2012년조사와 2021년조사에서 평균컷 줄어든점에 주목하면 좋아요
출처:https://t.co/nBsHiS3iZH
#출판만화

[KIM WOOJIN @forme_hoj]

@kaing_Pi 一緒に仕事できてよかったです😀

[KIM WOOJIN @forme_hoj]

한국에서 인기많으신 인한님 @kaing_Pi 단편이 공개됬다
요즘 단편을 4-5개 했는데 그중에서 제일 반응이 좋았다
기획단계부터 스토리관련 쎄게 코멘트를 드렸는데
인기도 많으신분이 겸손하게 성실하게 혼자서 이겨내시더라..
이런분이 성공하시는거같다 도덕적표현이 아니고 통계적으로
#출판만화

[MANGAバル編集部 @MANGAbaaaaar]

／
📌『#できるって言って！』
📣特別読切��開‼️
＼

未来が見えるんでしょう？
私の未来も見てくれないかな？
そして、言ってほしい……
私が一番求めている言葉！

最新話はピッコマで！✅
➡️　https://t.co/RtiRkozRzL

⭐リプライで感想も募集中バルッ！⭐

[KIM WOOJIN @forme_hoj]

코믹월드때 뵜던 분이 벌써이렇게 혼자서 성과를 내셨네요
축하드리고 정말로 응원하고있습니다

[永戸グ��ー @grey_99123]

『電撃大王』2026年3月号に掲載されました。 実は1行だけの紹介だと思っていたので……本当にありがとうございます。

現在、新作を鋭意制作中ですので、楽しみにしていただければ幸いです。 この夏、ご期待ください！

月刊コミック 電撃大王 2026年3月号
https://t.co/v8kj4vdtxP

[KIM WOOJIN @forme_hoj]

@dw_ci 한국어판 너무너무 기달리고있습니다ㅠㅠ

[대원씨아이 코믹스 @dw_ci]

출판만화 플로우에
대원씨아이 코믹 챔프가 빠질 수 없죠!👀

1991년부터 현재까지
35년째 발행되는 소년만화 잡지 코믹 챔프🖤
국내 출판만화도 계속해서 연재되고 있답니다!💥

✔ 매월 1일, 15일 격주 발매
✔ 가격 3,000원
✔ 열혈강���, 동군, 위치 헌터, 데드링거, 격기3반 등 국내 출판만화 다수 연재
✔ 원피스, 원펀맨, ���카모토 데이즈, 단다단 등 인기 만화 연재

출판만화 붐은 오는가•••😭

[강착원반 @gangchakwonban]

@koug99 몽그님과 함께한 단편 [가사대행서비스(악령퇴치포함)]이 업로드되었습니다! 부족한 스토리, 부족한 콘티도 믿고 맡겨주신 @forme_hoj 편집자님과 작화가 몽그님께 무한한 감사 드립니다!

[만화그리는 WINSTON @rept_house]

2018년 네이버 시리즈에서 연재하였던 BL웹툰 '이슬비 로맨스'가 26년1월21일부터 네이버 웹툰 완결탭에 개재되었습니다 😆😆
오래전 작품이지만, 다시금 잘 부탁 드립니다!
https://t.co/rk6Hlo7SPl