And if you haven't seen Playtime yet,
here's a glimpse of the original.
Let's see if you can spot some of the things that may have inspired the sets of Severance.
I see Lumon in so many details.
When the future looked soft, bright, and optimistic.
A luminous object that blurs the line between furniture, art, and science fiction.
Space Age Floor Lamps
Tibor Házi, 1973.
Playtime is a masterpiece!
Severance production designer Jeremy Hindle has cited Jacques Tati's 1967 film as a key reference for the visual world of Lumon.
The symmetry, the simplicity, the absurdity.
The parallels here are loose but the atmosphere and satire remain similar.
And if you haven't seen Playtime yet,
here's a glimpse of the original.
Let's see if you can spot some of the things that may have inspired the sets of Severance.
I see Lumon in so many details.
Playtime is a masterpiece!
Severance production designer Jeremy Hindle has cited Jacques Tati's 1967 film as a key reference for the visual world of Lumon.
The symmetry, the simplicity, the absurdity.
The parallels here are loose but the atmosphere and satire remain similar.
Playtime is a masterpiece!
Severance production designer Jeremy Hindle has cited Jacques Tati's 1967 film as a key reference for the visual world of Lumon.
The symmetry, the simplicity, the absurdity.
The parallels here are loose but the atmosphere and satire remain similar.
Many of you said this interior looked like something out of Severance.
Yeah, I can see it, and it actually gave me an idea.
I have a couple of posts about Severance coming up.
Starting tomorrow.
When the future looked soft, bright, and optimistic.
A luminous object that blurs the line between furniture, art, and science fiction.
Space Age Floor Lamps
Tibor Házi, 1973.