Why does it feel like it’s just my community who’s left out in the whole of CT.
Well, Gm to everyone
Gm @aqsashaikh
Gm @jenyavyguzov
Still waiting patiently in DMs
A couple of mints coming up today, but I'm only positioned for @GolubiroNFT
For some personal reasons I feel hyped about this one, definitely picking some off secondary.
Hosting some giveaway later today, stay positioned🫵
🌺 F R A G M E N T S of G R O W T H 🌺
• @Frag_Growth – the debut NFT collection from fashion photographer @jenyavyguzov who has shot for Vogue, GQ, Elle, Puma and IKEA
Since 2015, he's turned travel fragments into organic collage flowers—each petal a real memory. Because we're all built from pieces, always evolving.
Selected for the Paris Prints Textile Show Fall 2025. Now, it's coming to ETH.
First chance to own his work on-chain.
You’re early, stay positioned now🫵
It just feels so good to see 10k runners hold these kind of decent floor with rares selling as high as $600.
As usual my community @QuantumGuildd
fully maxminted our spot🫡
Up next on my list is @AxomexNFT
Gm Gm frens
A lot of hyped and anticipated mints coming up this week, it’s going to be a profit week I can feel it.
List of projects I’m positioned for this week
>> @the_demoonz (8th)
>> Pattern Retrieval by @adamilenich (9th)
>> Pepe Explorers by @TrystanNFT (10th)
>> Blupets by @bunya_eth (11th)
>> ZelijOrigins (13th)
5/5 here
What about you?
IF HE CAN DO IT, YOU CAN 🐦
A thread on how @DKashtalyan built The Beaks into a creative project that people naturally started paying attention to and participating in.
A lot of projects begin with marketing or promotion. @thebeaksart did not.
It started with a teenage boy in Minsk expressing himself through graffiti, slowly building a personal style that would take shape over many years.
For over 20 years, Dima developed his work through detailed dots, patterns, pointillism and symbolic illustration. What began on walls gradually turned into a distinct visual language.
People did not connect with it because it was pushed at them. They connected because it felt real.
The idea behind The Beaks is simple.
“Reimagining the beak in your own style.”
That single idea became the foundation for everything that followed. It allowed different interpretations without losing the identity of the project.
As more people discovered The Beaks, it stopped feeling like only an art collection. It became something people could actively respond to.
They started creating their own versions, experimenting with styles, and expressing personal interpretations of the same concept.
A major point in the project was the art contest around The Beaks.
The entries were not repetitive or predictable.
Different artists approached the idea in completely different ways, but the connection to the original concept was still clear in each one.
Another reason the project continued to grow was simple participation. It was not only Dima creating work for people to observe.
People began adding their own interpretations, responses and visual ideas into the space the project created. That exchange kept it active.
The attention around The Beaks did not come from forced promotion or trends It came from people sharing it because they genuinely liked it and wanted to be part of what it represented.
That kind of attention tends to last longer because it is not manufactured.
From a teenager painting graffiti in Minsk to building a project that reached thousands of people creatively, Dima’s work shows how far a clear idea can go when it is developed consistently over time.
The Beaks works because it gives people space to interpret, create and connect in their own way.
• Filled the collab application for @thebeaksart
Also managed to get into some raffles on the site—who knows I might actually be lucky, I’d advice you do same
Won’t stop at that, I’m currently preparing a well detailed thread and art to back it up
Yes I’m that hyped about this project—would all these activities be rewarded? Only time will tell