Carmela Baranowska

Founder Krisis Labs + We Are Moving Stories | AI, film & evidence
Rory Peck & Walkley Award-winning filmmaker | PhD, Unimelb

[email protected]

[Carmela Baranowska @FounderCarmela]

Writer/Director/Producer Nick Dugan: I'm honored to have this film profiled on a platform that is so creatively influential. And I'm humbled to have this film included in the same breath as the rest of the films featured within @WMoving_S

https://t.co/8uGuTompdI

[Carmela Baranowska @FounderCarmela]

What happens to filmmaking when we can no longer tell how a film is made? If AI is used, where would you draw the line - if at all? After a decade interviewing filmmakers about how they make their work, these are the questions I ask myself - and other filmmakers. @WMoving_S

[WeAreMovingStories @WMoving_S]

LA! TONIGHT! From our friends #AwarenessFilmFestival

[Carmela Baranowska @FounderCarmela]

Thank you so much @ChaiyaBenz! Wonderful to see this photo from Bangkok; and thank you for being there for the screening and discussion 🙏@FCCThai

[Phil Robertson @Reaproy]

Coming to the @FCCThai on 8/27: looking forward, while examining the past in East Timor -- featuring the Timor Leste Ambassador, an amazing film about the last days of #Indonesia's occupation, & discussion and photos from former AFP journo Ian Timberlake & film director Carmela Baranowska. Don't miss it, starts at 6:30 pm - details here 👇👇
https://t.co/HHLwxpeRUs

[Jonathan Head @pakhead]

It’s also a chance to see Carmela Baranowska’s wonderful documentary Scenes from and Occupation which chronicles the last 6 months of Indonesian rule in TL

[Jonathan Head @pakhead]

In 1999 I spent much of the year covering the violent birth of an independent Timor Leste. Tonight I will be moderating a commemoration of that struggle at the FCCT in Bangkok with colleagues who covered it with me https://t.co/MWKd3PI18d

[FCCThai @FCCThai]

Timor-Leste (East Timor): ASEAN’s newest member looks forward from a painful past

Thursday 27 August, 7pm

Film screening of 'Scenes from an Occupation' directed by Dr Carmela Baranowska, exhibition by Ian Timberlake, and a panel discussion

More info: https://t.co/0Egbj8N3ny

[Carmela Baranowska @FounderCarmela]

Very happy Scenes from an Occupation: East Timor 1999 will screen at @FCCThai on 27 August.
We’ll also honour my good friend and fellow journalist John Martinkus, who died last year.
I’ll join the discussion afterwards.
https://t.co/BMwVomlDnR

[Peter Cronau @PeterCronau]

An invitation to the international family of solidarity activists:

Pedro Lebre played a vital role during Timor-Leste's struggle for independence.

His home, Vila Harmonia, was a safe haven for journalists and activists, while East Timor was under Indonesian military occupation.

Today, we can honor his legacy by supporting his recovery. Every donation counts.

Please share his story and consider contributing to his rehabilitation.

Together, we can help ensure he receives the care he needs during this critical time.

👉 https://t.co/gPN4AKUfyl

[Carmela Baranowska @FounderCarmela]

@WMoving_S is back! Looking for new films and filmmakers to cover!

[Carmela Baranowska @FounderCarmela]

Excited to begin our @Tribeca 2024 coverage @WMoving_S with Writer/Producer/Director Alexander Toma and Amanda Aagard's Budō #animation #stopmotion #amandaaagard #alexandertoma #tribeca2024

https://t.co/qwNY5x3pDt

[Carmela Baranowska @FounderCarmela]

Writer/Director Ewa Wikieł: Is there someone or something you are grieving about right now? #krzyk #losingcontrol

Polish Debute Film/Koszalin-10-15.06

https://t.co/lolowDS3mH

[Carmela Baranowska @FounderCarmela]

Writer/Producer/Director Amanda Renee Knox: How does Czeslaw Milosz's poem A Song on the End of the World apply to the events of the world today? How do our actions evoke fears that either haunt us or emancipate us?

#AmPav #Cannes May 23rd '24, 10am-12pm

https://t.co/SB9jUgSNqF

[Carmela Baranowska @FounderCarmela]

Writer/Producer/Director Amanda Renee Knox: How does Czeslaw Milosz's poem A Song on the End of the World apply to the events of the world today? How do our actions evoke fears that either haunt us or emancipate us?

#AmPav #Cannes May 23rd '24, 10am-12pm

https://t.co/SB9jUgSNqF

[Carmela Baranowska @FounderCarmela]

Writer/Director/Actor Mackenzie Lauren Taylor: I just hope that word will reach more people and that it makes “making a movie” look more possible to anyone who wants to do it.

https://t.co/BSO5HEFph5

[Carmela Baranowska @FounderCarmela]

Filmmaker Vishaal Desai: This film is a throwback to old Sci-Fi / Horror B-movies and while it does cater to an audience that enjoys those genres, I believe that the underlying themes of obstinacy and hubris would be relatable to anyone.

https://t.co/1Z7uKAqGfT

[Starlink @Starlink]

Across more than 17,000 islands, Starlink’s high-speed, low-latency internet is available in Indonesia! 🛰️🇮🇩❤️ → https://t.co/zbfGe0Fxur

[Carmela Baranowska @FounderCarmela]

Writer/Prod/Dir Sabina Vajrača: This is the first of my films to play in Cannes, and I’d love for as many people who’ll be there to hear of it through your platform and come see it. Thank you for this great opportunity! #jewish #muslim #sarajevo, #bosnia

https://t.co/02WM4xZnAx

[Carmela Baranowska @FounderCarmela]

Writer/Director Anne-Sofie Lindgaard: To me, I thrive off making films that make people feel seen. So if anyone watches this film and feels as if their own experience is seen, respected and portrayed truthfully, then I am happy.

https://t.co/IvEq6ZnbdR

[Carmela Baranowska @FounderCarmela]

Writer/Director Miguel Angel Caballero: Will AI humanoids eventually replace many job sectors, and if so, what could be the implications for working-class communities?

Screens: American Pavillion - Cannes Film Festival

https://t.co/LCkQ45FTag