out of context Fran Sabljak

20 primaveras

[out of context Fran Sabljak @FranSabljak]

Extraño Argentina

[Tobe 🇦🇷 🐇👑 @reyconejo87]

La verdad es muy simple en 1812 el primer triunvirato PROHIBIÓ que los barcos esclavistas PORTUGUESES atracaran en Buenos Aires, con eso se cortó el flujo de africanos. Los que quedaron mestizaron porque el imperio español lo incentivaba. y desde 1813 los nacidos eran LIBRES.

[Anish Moonka @anishmoonka]

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild.

Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real.

The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later.

Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him.

Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman.

Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact.

95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

[Rodrigo Quiroga 🔬 @rquiroga777]

Lancé un proyecto que se llama “¿Cómo Votó?”

Una página web de código abierto para ver cómo votó cada legislador argentino desde 1993. Ley por ley, votación por votación. Con índices de alineamiento partidario y la posibilidad de generar imágenes y compartir en X.

[out of context Fran Sabljak @FranSabljak]

El país en llamas y mientras tanto el pelotudo del presidente

[Science girl @sciencegirl]

Blue Heron drying itself
https://t.co/RJOhc8H3oH

[Unidad Basica Arnold Shortman @aledieguez91]

PERO METIO LA MEJOR REFERENCIA!!!
NINGUNO LA ENTENDIO???

[Andy Crush @Andy_TToledo]

ACLARACIÓN IMPORTANTE:

La CNE rechazó la reimpresión de las boletas e irán con la cara de José Luis Espert.

El organismo detalló que para validar el voto en favor de LLA, cada elector deberá aclarar al salir del cuarto oscuro que el voto en realidad fue para Santilli.

Caso contrario el presidente de mesa deberá contarle el voto a Espert y quedará anulado el sufragio.

[Claudia Ferreira @ClaudiFerreira_]

Que lo de @jlespert no tape lo del 3%
Que lo del 3% no tape lo del Fentanilo
Que lo del Fentanilo no tape lo de $Libra
Que lo de $Libra no tape lo del Banco Nación de @MenemMartin
Que lo de @MenemMartin no tape lo de los alimentos pudriéndose de @MinCapHum_Ar
Que lo de los alimentos pudriéndose de @MinCapHum_Ar no tape lo de las visitas a los represores
Que lo de las visitas a represores no tape lo de @EdgardoKueider
Que lo de @EdgardoKueider no tape lo de las compras de candidaturas
Que lo de las compras de candidaturas no tape las visitas en el Hotel Libertador
Que lo de las visitas en el Hotel Libertador no tape el análisis psiquiátrico a @JMilei denunciado por agredir verbalmente a una periodista salteña...

Y así...

[out of context Fran Sabljak @FranSabljak]

No malpiensen, el tipo labura en una clinica de fertilidad

[out of context Fran Sabljak @FranSabljak]

@SpursCasla Son la contra de estas

[out of context Fran Sabljak @FranSabljak]

@aestheticsguyy Facilito

[out of context Fran Sabljak @FranSabljak]

@fran_malmgreen @HerwigWachter @HerwigWachter devolve la valija chorro

[out of context Fran Sabljak @FranSabljak]

Asi explican la llegada a America en la primaria

[Alice Mills @millsalice144]

In Star Trek, they are always going where no one has gone before, but when they get there, somebody is always there.

[out of context Fran Sabljak @FranSabljak]

@Israel Manga de hijos de puta

[out of context Fran Sabljak @FranSabljak]

Sabrina Carpenter si estuviera en Bojack Horseman

[ugh @ughfinewhatever]

sardina carpenter: have you ever tried fish one

[out of context Fran Sabljak @FranSabljak]

Yo era músico pero fue hace una banda

[out of context Fran Sabljak @FranSabljak]

Yo fui heladero pero hace bocha

[out of context Fran Sabljak @FranSabljak]

Que bueno que estuvo el asado, muchas Grecias amigo

[Kohan ����🏛🏛 @kohantoys]

Problema profesional: me encanta la historia de la arquitectura pero sólo me piden quinchos

[out of context Fran Sabljak @FranSabljak]

En otra vida fuiste Franz Kafka

[mar @rulodefito]

como amo estar acostada en la cama creo q en mi otra vida fui un ácaro

[out of context Fran Sabljak @FranSabljak]

El de la consesionaria vendiendo la casa de Socrates:
No amigo, el dueño me dijo que no se puede instalar una pileta. No sé porqué solo sé que no se nada.

[out of context Fran Sabljak @FranSabljak]

Tomás Deuda?

El hijo de Caputo: presente