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Netsuke of a Mother Bat with Two Young, 19th century. Medium: Wood. Collection: The Metropolitan Museum of Art, New York.
As I’ve mentioned in previous netsuke examples I’ve shared, the origin of these pieces wasn't about aesthetics--it was born entirely out of physical necessity. Let me repeat my standard explanation:
Traditional Japanese kimonos didn’t have pockets. Men used small boxes called inro to carry personal items like medicine, seals, or tobacco. They hung these boxes from the obi sash around their waists using a silk cord. To keep the cord from slipping through the fabric, they attached these weighted toggles, known as netsuke, to the top end. Since the netsuke was constantly touching the silk garment, carvers designed the figures with completely smooth, rounded contours so they wouldn’t snag or tear the fabric.
These objects were very popular--especially among the wealthy. At the time, merchants were restricted from wearing silk or flashy jewelry by various sumptuary (luxury consumption) laws. The merchant class, unable to openly show off their wealth, turned to netsuke to get around these restrictions. Far from government oversight, this miniature medium became a hidden status symbol that merchants paid artisans huge sums to create. No one could say they were dressing extravagantly, but they were carrying expensive sculptures at their waists, crafted by the most talented artists of the era.
Unlike in Western culture, where the bat is associated with fear or disease, in the Far East it symbolizes good luck.
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2025.10.09 (KST) 신규 인격 특정 추출 / 新規人格特定抽出 / New Identity Target Extraction
동부 시 협회 3과 파우스트 / 東部シ協会3課 ファウスト / Shi East Section 3 Faust
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