🅕🅡🅔🅒🅗🅚🅔🅚🅢

[PUBLORD @publord]

France just doing the "This is Fine" meme these days. 😂

[Le Crapaud @Le_Crapaud47]

Ce que j'aime le plus avec l'IA générative, c'est qu'elle offre des possibilités quasi infinies.

Pratiquement tout ce que votre esprit peut imaginer peut être créé par l'IA.
C'est pour cela que j'aime varier les styles, les approches et les expérimentations.

Comme pour la vidéo ci-dessous, qui est avant tout pour moi l'occasion d'observer les évolutions de la technologie afin de repérer ses limites et d'apprendre à connaître ce qui est faisable actuellement et ce qui ne l'est pas.

Ici, c'était surtout la gestion des combats, des placements, des mouvements des personnages et la cohérence globale.
En plus du côté « entraînement », varier les approches est aussi un moyen pour moi de ne pas tomber dans la lassitude.

Je pourrais me contenter d'enchaîner les petites séquences de dessin animé (qui ont beaucoup de succès), mais je trouverais dommage de me limiter à ça.

[anabology @anabology]

I gave Claude another 18 hours.. and I think this one is the best one yet

Macrohard: Windows XP

I'm blown away

[awesome_visuals @awesome_visuals]

I think it's time to fire my gardener.

[Gossip Goblin @Gossip_Goblin]

The Seams of Mother Nature

[Siegvarg @Kranzschwinger]

Rente mit 75, dafür aber ein Raumfahrtprogramm

[bone @boneGPT]

"People aren't ready, this is gonna change everything"

You know what people weren't ready for? Fucking mammoths. Tigers eating them. Monkeys ripping their arms off. The black plague. The ice age. Smallpox. Vikings pulling up on the beach. Drinking water that gives you diarrhea until you die. Getting a scratch and losing your whole leg. The Mongols. The Spanish Inquisition.

One volcano can send us back to the dark ages and these safety guys are gonna be shocked. Oh the robots didn't kill us? It was a volcano? Imagine their disappointment as the hot ash rains down on them.

A solar flare is gonna explode your phone in your pocket your legs are gonna be covered in battery acid and your bank account will stop working. You're afraid of a computer program doing math?

"Things are moving too fast" homie you live on a rock that periodically deletes everything. You are one the most luckiest entities in a 100 light year radius living during a golden era. Cheer up.

My ancestors crossed an ocean in a wooden box because they ran out of fucking potatoes.

"The social disruption will be enormous!"

Nigga World War 2? World War 2? Hop in the people carrier we're landing on the beach.

Are these people out of their fucking minds? Do they not know what we've survived already?

A couple decades of air conditioning and people suddenly think oh this is the natural condition of mankind. No. We used to have eight kids because seven didn't make it. You're gonna be fine. Man the fuck up.

Accelerate.

[Ari K @arikuschnir]

THE HOAX 💾

[GORM THE OLD @GORMTHEOLD25]

Trump the Indian Street Vendor (A.I. Video)

[Le Crapaud @Le_Crapaud47]

The T-800 has been sent in the past to warn those who want to stop the evolution of AI :

[Gossip Goblin @Gossip_Goblin]

Victory By Any Means

[Christopher Gwinn | Grindhouse Glitch @ChrisGwinnLA]

Giallo Girl Friday: Police psychologist Dr Vighi interviews Kiara, who has been in shock since she witnessed the murder of her sister Susan. She knows the man who did it but has not been able to name him...until now!
AI Giallo scene, made on @dreamina_ai #dreaminacpp

[Javi Lopez ⛩️ @javilopen]

Backrooms Nemoris S1E01: It Eats Light

I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series!

This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler.

I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated.

The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed.

Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly.

As for the generations, a few numbers:

• 12 hours of total generated video for 17 minutes of final footage 🤯
• More than 7,000 generations in total.
• An average of around 60 generations for every 15 seconds of final footage.
• 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind.
• Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references.
• Approximately $20,000 in total token costs, not including the value of my own time.

For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment.

Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like!

Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn.

And most importantly, enjoy.

Nemus te reddat!

[L.A. Beast @KevLAbeast]

Today in the name of Human #science, I am going to #drink a 100 year old cup of #coffee to see if it can give me #energy to get through my #day.
Will this experiment work?
Let’s find out!!

https://t.co/1KmZ7ANBOg

[Gossip Goblin @Gossip_Goblin]

Scalp Misalignment

[Charles Curran @charliebcurran]

I used AI to explain the AI pacing drama, with fruit.

[stu 🥪🥞 @stutxo]

a day in the life of a bitcoin security researcher

[USA Reject @sadreturns]

when Mr. Bungle’s self-titled album dropped in 1991, a number of stores gave out bottles of bubble bath solution with copies of the album.