Originally written and recorded by Iggy Pop, "The Passenger" found a new audience when Siouxsie and the Banshees transformed it into one of their most successful singles. Their appearance on The Tube from Portmeirion in 1987 came during the band's commercial peak, showcasing a cover that retained the spirit of the original while becoming unmistakably their own.
The raw energy of the Ramones at Max's Kansas City in 1976 is still something else. "Havana Affair" is over almost as soon as it starts, but it leaves its mark every single time.
Some songs never lose their emotional pull, no matter how they're performed. "Boys Don't Cry" paired Robert Smith's bittersweet lyrics with an irresistible melody, becoming one of The Cure's defining songs and an enduring alternative classic. This acoustic performance reveals the timeless strength of the songwriting, proving the track's charm extends far beyond its original post-punk energy.
"Don't Stop The Dance" was the second single from the album Boys and Girls (1985), Bryan Ferry's first solo album after the official demise of Roxy Music. He wrote the music inspired by the mood of the dance floors of the 80s, but gave its characteristic touch: an elegant, sophisticated and almost cinematic groove, with striking percussion and luxurious arrangements.
The single became one of the biggest solo hits of his career, entering the Top 10 in several countries.
MILES DAVIS : Back Seat Betty
- Rome, Italy 1982
Mike Stern (G) Marcus Miller (B) Bill Evans (Sax)
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キンクスの名曲。
半世紀以上過ぎて今聴いても新鮮で全く錆びてないのが凄い。
クラッシックロックの中でもキンクスはストーンズより聴いたかもしれない🤔
オアシス、ポールウェラー、ストーンローゼズ、ストロークス、ホワイトストライプスなどからヴァン・ヘイレンまで後世に与えた影響は計り知れない😌
60年代70年代のレジェンドミュージシャンの中でも、影響力ならビートルズやストーンズと同等だと思う💐🤯
ビートルズ、ザ・フー、ローリングストーンズ、レッドツェッペリン、ジミ・ヘンドリックス、デビットボウイ
The Beatles, The Who, The Rolling Stones, Led Zeppelin, Jimi Hendrix, David Bowie
The Kinks - You Really Got Me (live 1973)
Released in 1983, "This Is Not a Love Song" became Public Image Ltd's biggest UK hit, turning John Lydon's anti pop instincts into an unlikely chart success. Their Belgian television appearance in 1984 showed PiL in a stranger, more unpredictable setting, with the song still carrying the tension between commercial visibility and post punk provocation.