👉🏽 This conversation with Ramón García, remarkable poet and fellow art writer; thoughts on a future archive for the sake of ecstasy and justice in the present.
@lareviewofbooks@FordhamPress@Noemi_Press@uhcwp https://t.co/2YMO2sigAK
Thanks to @fullforeground for the generous blurb for my forthcoming book Watcha: “Watcha ignites the poetic imagination with its self-defining ‘photographic progression’ of bilingual experience in sight and sound. At the interface where speech impersonates the attributes of
In his review of Roberto Tejada's "Why the Assembly Disbanded", Jacob Ahana-Laba carefully examines the tensions between assembly and assimilation in Tejada's collection.
Read more here: https://t.co/Hy2D9Psghm
➡ arrow as arrow⬅ Broadside Portfolio #1 featuring poetry by Will Alexander, Wendy Lotterman, Roberto Tejada, Kim Lyons, Roberto Harrison, Kirsten (Kai) Ihns, Hannah Brooks-Motl, Tongo Eisen-Martin. Art by Luke Daly.
https://t.co/GChkVvuacV
📣🥁*drumroll please* The one and only US POET LAUREATE ADA LIMÓN will be reading in Houston tomorrow night, Monday 3/6!!! Also featuring a conversation with UHCWP's own @fullforeground!! Tickets are available through @InprintHouston... this event is not to be missed! ✨
@estebanjrod11 @KERNPUNKTPress @DeepVellum@WestBranchMag Thank you so much Esteban. I’m honored to be in fellow company seeking justice in the syntax and society of alternate belonging. 🙏🏼
Thank you @fullforeground Roberto Tejada for nominating Joshua Escobar for The Bo Huston Prize 2023. Deep thanks to all of the nominators and nominees (for @dan_carmell and Matthew Stadler)
👉🏽 Heartfelt thanks to Henk Rossouw @henkross who in @worldlittoday exacts Why the Assembly Disbanded's foreboding in the face of “divide and conquer” and the troubling of “the relationship between art and belonging.” @FordhamPress
https://t.co/6QOqKWSfT0
“Implicit in the poems that follow is the knowledge that the body count since the resurgence of white supremacy—in the aftermath of colonizing the Americas—has become unbearable."