Gavin Lloyd

Director, Writer, Composer, Cinematographer, Artist, Enjoyer of horror

[Sam Raimi Updates @SamRaimiUpdates]

‘EVIL DEAD WRATH’ takes place in 1972 & will emulate the warm grainy Ektachrome film stock from the era.

Producer Robert Tapert confirms.

(Via: https://t.co/NSmVUH2koH)

[Bloody Disgusting @BDisgusting]

EVIL DEAD WRATH is set in 1972.

"It predates everything," producer Rob Tapert teases.

"It will feel like a 1972 movie."

In theaters April 7, 2028.

[Culture Crave 🍿 @CultureCrave]

Official logo for 'The Batman 2' 🦇

[DiscussingFish @DiscussingFish]

Sebastian Stan is rumored to actually be playing Rick Flag III in ‘THE BATMAN: PART 2’.

Kane Parsons is 20 Years Old.

(Source: https://t.co/6F9p5TFDt7)

[Matt Reeves @mattreevesLA]

#FirstShot #TheBatmanPart2 CC:@E_Messerschmidt Here We Go…

[Matt Reeves @mattreevesLA]

#SnowTires 🦇

[Halloween Horror Nights @HorrorNightsORL]

Haunted House Announcement: Jack & Oddfellow: Chaos & Control

Witness Jack the Clown’s unholy origins, then enter Dr. Oddfellow’s wickedly twisted universe where two of the most powerful forces in horror face off in a deathmatch of chaos versus control. #HHN35

[Halloween Horror Nights @HorrorNightsORL]

the forces of horror are BACK 🎪

Jack The Clown and Dr. Oddfellow return to wreak havoc together at this year's Halloween Horror Nights. u ready? #HHN35

[Bloody Disgusting @BDisgusting]

EVIL DEAD WRATH.

Now in production.

[Bloody Disgusting @BDisgusting]

The next VENOM movie will be an animated feature from Final Destination Bloodlines directors Zach Lipovsky and Adam B. Stein.

Source: @THR

[Bloody Disgusting @BDisgusting]

Nicolas Cage is SPIDER-NOIR in the official trailer for Prime Video's live action series.

The series arrives in True-Hue full color and authentic Black & White May 27 on Prime.

[Gavin Lloyd @Gabbage8]

@BDisgusting Darn.

[Bloody Disgusting @BDisgusting]

Prime Video has shared this first look image at SPIDER-NOIR, a live action series starring NICOLAS CAGE that's set to premiere next year. The series will be available in both black & white and color.

[Fuck off, I’m Doom’ing it @DarthSateus]

They got the director for Tron Legacy and later Top Gun Maverick to do a live action Doom, then proceeded to never call him back

[Bloody Disgusting @BDisgusting]

It wasn't John Wick that influenced the action of NOVOCAINE, but Leigh Whannell's UPGRADE. Did you know that this action-comedy also features Upgrade star Betty Gabriel?

Directors Dan Berk and Robert Olsen explain why the sci-fi action film was a source of inspiration.

[Gavin Lloyd @Gabbage8]

@ZombieCT At this rate they coulda gotten a bit silly and changed it to an Invisible Man meet and greet

[Stephen Ford @StephenSeanFord]

yearly reminder to watch leigh whannell's underrated sci-fi horror banger: Upgrade

[Gavin Lloyd @Gabbage8]

im sorry #venom

[Bloody Disgusting @BDisgusting]

The plan is for the Alan Wake and Control video games to get potential small and big screen adaptations from Annapurna, an official press release from Remedy Entertainment details today: https://t.co/s2i4YCeTBy

[patrick. @imPatrickT]

I saw ALIEN: ROMULUS again last night and was able to notice the technical aspects of the film even more this time.

In particular, I loved how deep focus the cinematography was.
The majority of our recent blockbusters have all been captured with large format cameras, which tends to push DPs/Directors into using fast lenses with very shallow depth of field, resulting in very blurry backgrounds that focus mostly on actors’ faces.

• The Creator: Sony FX3
• Dune Part 2: Alexa Mini LF + Alexa 65
• Oppenheimer: IMAX 15/70
Romulus was shot on the Alexa 35, which is a new(ish) Super 35 digital camera from Arri. It’s a smaller sensor than the large format or full frame cameras mentioned above. A smaller sensor makes it easier to achieve less bokeh (blurry background) while letting in more light from your glass. With S35, you need to use faster lenses with longer focal lengths to achieve the same depth of field as full-frame.
Romulus is full of deep focus cinematography, which lets you really soak in the great production design.

The original Alien was also shot on Super 35, albeit on film and anamorphic, but similar apertures were used to let you see into the entire frame.
Shallow depth of field is great, and I think Dune, The Creator, and Oppenheimer use it well, but if you’re going to put this much care and attention to detail into such beautiful sets... you should get it on camera.