Gallery Luisotti concentrates on the aesthetic developments that emerged during the 1970s, with an emphasis on landscape and non-narrative photography.
Seeking out the original locations of where Burke sourced his images, Norfolk’s photographs show the pratfalls of defending a flawed position of contemporary politics: the United States-led, multinational mismanagement of the war against terror.
"Burke + Norfolk" is a collaboration in spirit between Simon Norfolk and the 19th Century Irish photographer John Burke (1843-1900), who captured images of the Second Anglo-Afghan War of 1978-1880.
📸 Simon Norfolk, from the series “Burke + Norfolk”, 2010 - 11
"It seems like a dark tide has drowned this wonderful country and all the things I photographed; all the beautiful cultural heritage unknown outside Afghanistan; all the newborn hope for the future - all this has sunk beneath the waves.” - Simon Norfolk
One of the early spots of color to appear in a landscape that had turned inward and dark, the merchant had buried the deflated balloons in hopes there would be a day when they could once again float in the air.
A Balloon Seller poses next to the wreckage of the old Soviet-era ‘Afghan Exhibition of Economic and Social Achievements’ in Kabul. Balloons were illegal under the 1990’s Taliban rule.
📸 Simon Norfolk, 'Balloon Seller’, from the series 'Afghanistan Chronotopia', 2001-02
In remembrance of a brighter future for an ancient county and rich culture, we will present 7 days of images taken from the 20 years Simon Norfolk photographed Afghanistan.
📸 Simon Norfolk, from the series 'Afghanistan Chronotopia' 2001-02
Congratulations to Christina Fernandez @cmfrndz for receiving the 2021 Latinx Artist Fellowship award 🎉
Follow the link below to read about the reward, and the wonderful group of 2021 Fellows.
https://t.co/zgs3d5QlJP
Mark Ruwedel has been shortlisted for the ninth cycle of the Prix Pictet –a global award in photography and sustainability.
Selected is his body of work, “LA Fires”, 2017 - 2020, from his four-part, in-progress project titled Los Angeles: Landscapes of Four Ecologies.
Opening tomorrow at the Riverside Art Museum: ‘Golden Hour: California Photography from the Los Angeles County Museum of Art’
June 5 - September 26, 2021
https://t.co/TUyZ4wEmp7
📸1. Peter Holzhauer, Balloons, 2008
A photograph from John Divola’s Dogs Chasing My Car in the Desert series will be featured in the Palm Springs Art Museum 2021 Auction, which goes live tomorrow, Friday, April 9 at 11am PST!
https://t.co/QE5ozrw27W
3. Terminus
John Divola
Format: 24 x 31.5cm, 68 pages
Since 2015, John Divola has been making photographic projects in an abandoned air force housing complex in Victorville, California...
https://t.co/K4CqUmySRh
Please join us today, March 24 at 5pm PST, for a conversation with Catherine Wagner and Janna Keegan, Assistant Curator of Contemporary Art and Programming at the de Young Museum, as they discuss Wagner's 2005 body of work Re-Classifying History.
https://t.co/CT4KZBj35y
Christina Fernandez’s series 'Manuel S-T-I-T-C-H-E-D’ sheds light on the vast spaces of hidden labor in Los Angeles and across America.
Revisit this body of work on our website
https://t.co/dUVIBG8403
📸 From Christina Fernandez, Manuela Stitched, 1996/2000
Today at 11am PST please join us on Mack Live for a conversation with John Divola and scholar Andrew Witt. They will discussing Divola's new book 'Terminus', just released through Mack Books.
https://t.co/3KxXiqDxyG
John Divola speaks to Andrew Witt about modern ruins, Agnès Varda, Kazimir Malevich, and the evolution of his distinctive practice between photography and sculpture.
Thursday 11 March
19:00 GMT, London
14:00 EST, New York
Receive a reminder: https://t.co/spiigNe6io