Every Song released by NewJeans has passed 100 Million Streams on Spotify.
'Zero' is at 96 Million, the only Single Release left projected to surpass the milestone this year.
진심 늊 처음애 나왔을 때 새로운게 아닌 그 시절 향기,튜닝끝에순정 이라는 말이 개많았는데 저걸 카피라고 생각하는게 본인들이 얼마나 떳떳하지 못한지 잘알겟음
님네 대표가 not늊,저흰당당합니다 햇다 나중에가선늊영향을안받은그룹이어디겟습니까로말바꾼걸왜죄다버니즈때문에욕먹엇다하지?
one solo performance was all it took for haerin to have that entire dome wrapped around her finger. blackq knew exactly how to bring out the very best in the main dancer. the way she matched the energy of a team of professional male dancers with that effortless groove was so 🔥
NewJeans makes New Massive Achievement:
Every track included in a NewJeans Album has above 100 Million Streams on Spotify excluding Instrumentals and remixes.
Stop dgn pikiran kotor lu itu. Sean & his wife literally dijuluki 'Malaikat Donasi' di Korea. Dia pelopor Ice Bucket Challenge dan berhasil membangun RS ALS pertama di sana. Dia jg punya tim running yg isinya para artis kyak Bogum, I'm Siwan, dan Dani yg tujuannya buat charity.
At 12 AM on July 9, Billboard released an article about a copyright infringement lawsuit involving HYBE’s biggest boy group. Less than 24 hours later, Dispatch published another article about NewJeans, this time taking a deep dive into the copyright infringement lawsuit surrounding “How Sweet.”
So when is the deep dive into that boy group’s lawsuit going to drop? Or does Dispatch only publish these kinds of in-depth articles when it comes to NewJeans and Min Hee-jin?
The article also includes commentary that many readers may view as unnecessary, including references to I**IT and the plagiarism controversy surrounding them, direct quotes from the plaintiffs’ attorney, and discussion of Min Hee-jin’s past romantic relationship with one of the producers involved with the song.
Dispatch’s recent article doesn’t feel like a neutral deep dive to me. It feels more like an attempt to shift public attention back toward NewJeans.