“This is Manchester United we’re talking about” , Married to Anita, Fantasy football,Game of Thrones,St Pats. Daddy to the beautiful Sophie,Lucy and Ava👣💞
@boringoldg77555@mos1886@JamesD74431175 Fuck off you cabbage 🤣🤣 isn’t even close 🤣🤣 with your 15 followers or whatever on here rage bating talking complete bollocks … hug a tree you clown 🤡
@DubBanter He’s a fucking recluse cunt that sits in his mas room …. Pointless opinion and shit responding to his criticism… you’re spot on refuses to acknowledge a great boxer and person , fuck him
The Song Changed — The Artist Didn't
On a July afternoon in 2005, Annie Lennox walked onto the Live 8 stage at Hyde Park looking almost ordinary. Floral blouse, black vest, jeans, a wide belt. No theatrical costume. No attempt to freeze herself in the image that made her famous. The crowd already knew who she was. A few seconds of that voice was enough.
That voice once belonged to the woman who turned “Sweet Dreams (Are Made of This)” into an anthem of restless ambition and “Little Bird” into something quieter and more dangerous: a song about leaving. Released on her 1992 album Diva, “Little Bird” is not a celebration of escape so much as a recognition that staying can become its own kind of cage. The bird does not simply fly away. It has to decide that the nest is no longer home.
Thirteen years later, standing in front of two billion people watching Live 8, Lennox did not try to sound younger. She did not dress like the stylized figure from the Diva videos. She sang as someone who had already made the flight. The performance was not a recreation of 1992. It was evidence that the decision in the song had been lived.
This is the contrast that matters. The woman on stage in 2005 was not pretending to be the artist who recorded the song. She was the artist who had survived it. Time had changed her face, her posture, the way she held the microphone. It had not changed the core argument of “Little Bird”: freedom is not a costume you put on. It is a direction you keep choosing.
Most pop careers treat aging as a problem to be solved with lighting, styling, and careful song selection. Lennox treated it as information. The same woman who once used theatrical personas to explore identity now needed almost none of them. The jeans and the unshowy blouse were not a rejection of glamour. They were proof that she no longer required it to be taken seriously.
That is why the clip still works. It does not ask us to remember how beautiful she looked when the song was new. It asks us to notice that the song itself has grown heavier with time, while the person singing it has grown lighter. She no longer needs to prove she can leave. She already did.
Some artists spend their later years protecting the version of themselves that first made them famous. Others carry the years with them and let the songs absorb the extra weight. Lennox belongs to the second group. The melody of “Little Bird” did not change. The singer did. And somehow the song sounds more true because of it.
Growing older does not always mean becoming less free. Sometimes it means finally knowing what freedom costs — and still choosing it.
@irish_pics Was at the game , right behind the goal to the left … incredible atmosphere one I’ve never forgotten! Buzzing for weeks after it Keane was immense … the Dutch had 6 strikers on at one time I’m certain . Unreal result
THESE TRICKS CAN SAVE YOUR LIFE ONE DAY
1. Sudden panic attack – Touch something cold (water, phone, metal). Your brain switches from fear to safety mode.
2. Heart beating too fast – Cough 2–3 times forcefully. It resets your heart rhythm.
3. Can’t breathe properly – Put your hands on top of your head. Your lungs open up instantly.
4. Feeling dizzy – Focus on one spot and tense your legs. Blood rushes back to your brain.
5. Stuffy nose – Hold your breath and nod your head up & down slowly. Open blocked airways.
6. Sudden anxiety – Splash water on your face – it activates the calm reflex.
7. Can’t sleep – Exhale longer than you inhale (4–7 breathing). Your brain goes into sleep mode.
If you want to learn more life-saving tips, turn on notifications.
WC4 makes more sense than WC3 to me, here's why:
1. Majority wildcarding in GW3 are BB1 managers scrambling to get in Haaland + 2 man city players which would ideally take 3/4 transfers
2. I don't think WC is justified to get in 2/3 city players
3. My temptation to wildcard is MCI fomo + i pool of players i want to sell are higher than the ones i want to buy in GW3 but i may resist
4. Many are already getting 2/3 CHE players early on wildcard but does that make sense when you are likely to bench 2 or all of them vs ARS in GW3
5. I still don't think MCI defenders are worth it, they have looked bad defensively
6. I have seen Wissa on WC3 as well and DCL is the the player who is sold, 2GWs too early for Wissa i would say
7. DCL has BHA in GW3, Wissa has BOU which on paper is an equal fixture in terms of difficulty
8. In GW4 DCL and Wissa play each other but DCL is at home so i would give him the edge
9. Wissa is a great option in GW5-6 v HUL & COV
10. Team dependent but the best time to wildcard is in GW4 & GW6
11. MCI has great fixtures, CHE fixtures turn amazing from GW4, we will also get a lot more information on Palestra
12. Fixtures for Newcastle are a bit overrated and don't warrant a WC, GW5 & 6 are pretty good and 1-2 players maximum are good enough to chase a 2GW upside
@ItsJamesHall James have a follow with this man on instagram 🤌🏻 very very good and an old school friend of mine a good guy , might help might not so just a suggestion