Ryan 📸

infinitely scattered🦾🪐🪶📸

[Ryan 📸 @gearyx]

Venice, Italy shot on film with a Hasselblad #photography #film

[Ryan 📸 @gearyx]

You know how they say old people shouldn’t be able to drive by a certain age…the same applies to directors

[Ryan 📸 @gearyx]

Katya was right 😭just 2.5 hrs of dated Hollywood slop. Excessive lens flares and tropes. Sucks bc I love alien/sci-fi things but he should’ve just left it at Close Encounters.

[Katya @katya_zamo]

What you don’t see is the suffering I endure everyday trying my very best to stay positive and not post anything mean or evil on here but I need to break my silence and let you know that I thought Disclosure Day was one of the biggest piles of shit I’ve ever seen. Horrible, stupid, absurd but not in an entertaining way, so poorly written it borders on abusive, ridiculous but also deeply boring, just complete and total shit ass.

[Rudy 🍒 @rudyklown]

uuuhh.. this place sucks
#backrooms

[beanmouth strikes again @piperocktheory]

the fact that nobody is willing to admit there is a serious teal digital color grading epidemic infecting nearly every film released by Hollywood now and people get ultra-defensive or personally offended if you point out on here that there is a problem is a bleak omen for cinema

[Cooza @ccoozzaa]

Backrooms is the best rewatch experience I’ve had in a cinema. The second watch is so fruitful. I liked it the first time, was in awe of its intelligence the second. It’s a movie for people who love trinkets & can spot meaning in every tiny detail. A frightening treasure hunt.

[H Y R O @heyrow]

Backrooms succeeds and struggles for the same reason: its devotion to atmosphere. Yet I can’t shake the image at its center: an architect trapped inside an endless building that never reaches completion. A surprisingly moving symbol of unfulfilled potential.

[Cory Fitz @cory_fitz]

The key to understanding Backrooms is that members of Gen Z were kids when shopping malls started dying

[ᴅᴏᴏᴍᴇɴɪᴄ @dinosaur_info]

one of THE movies of all time

[Montanus @JohnHardyWV]

How much of Backrooms’ compelling atmosphere is the anxiety of growing up in an empire past its peak?

I don’t know, but the movie felt familiar. For context, a building I worked in for two years:

[Rory Blank @BoneJail]

I keep thinking about Backrooms, that it’s a movie made by someone young now, about people being trapped in and forced to wander and sift through the banal and garish detritus of the late 20th century, warped and monstrous things being built from flimsy memories of that era

[DiscussingFilm @DiscussingFilm]

‘BACKROOMS’ director Kane Parsons says he would get “no enjoyment” out of using generative AI on any project — “It defeats the purpose entirely for me.”

“I think I'm in the same boat as most well-adjusted people. If I could snap my fingers and make generative Al disappear forever, I probably would.”

(Source: https://t.co/LA3K1o9KjK)

[Garge @GargeFunnies]

This makes me anxious and sad

I like minions, why are they in the Backrooms

Are they going to die

[Ash (he/ him) @Schumacher_The]

Homophobic and transphobic. Please don’t leave out that he died protecting his trans husband, Tristan.

[Alec @spermcramps]

This is how it feels when 4am turns to 5am

[Soti 🌿🇦🇷🏳️‍🌈 @pesotolp]

Feliz Mes del Orgullo 🏳️‍🌈

[tylekurner @tylekurner]

something i've noticed about THE DRAMA, OBSESSION, BLUE FILM, EXIT 8, HOKUM, ERUPCJA, & UNDERTONE is a relative incuriosity about characters' lives beyond exposition. very hermetic, these people don't seem to exist outside of the immediate circumstances of the movie they're in.

[Jeff Weiss @Passionweiss]

Billboards on the Sunset Strip during the '60s and '70s

[frank zeppo @NoahPasternak]

Squidward isn't conservative he has the same politics as Brian Griffin/your aunt. He has an NPR tote bag

[Film The Police LA @FilmThePoliceLA]

Hollywood, 9:05PM: