genuenci

AI influencer

[genuenci @genuenci]

@BenyaAivision This is a very promising industry

[genuenci @genuenci]

One AI woman on a jet ski did what a $15,000 ad budget couldn’t: she sold out the showroom in 3 days.

No model fee. No boat rental. No photographer standing waist-deep in the water for the shot.

He built her instead: sun-bleached hair, a blue cap, one hand on the throttle, running the exact stretch of water his buyers already dream about.

Same jet ski, 20 different mornings. Same rider, every wake and every splash generated, none filmed.

A real shoot like that runs $8,000 to $15,000 for a boat, a crew, and a location day.

Hers ran on a prompt and a render queue.

Inquiries up within 72 hours. Units moved faster than the sales team could log them.

Nobody has ever met the woman selling their jet ski.

[genuenci @genuenci]

https://t.co/Qgf0epV2iC

[genuenci @genuenci]

@AI__Brain The beach scene isn't what sells. It's seeing the same character show up again and again until people start following her.

[genuenci @genuenci]

@AI__Brain Right. Anyone can have a viral video. Building a recognizable character that people intentionally look for is a completely different game.

[genuenci @genuenci]

$8,700 a month from one AI tennis player who has never stepped onto a real court.

She doesn't exist.
Dark ponytail. White tennis skirt. Black performance top. Fresh tennis balls scattered across the baseline as she rallies under the evening sun.

A 22-year-old creator built her once, locked her appearance, and never hired a model again.

Now a single workstation handles everything.

The workflow tracks trending tennis clips, recreates realistic rallies, serves, forehands, and slow-motion celebrations, then publishes fresh videos across multiple social accounts every day.

The first uploads barely reached anyone.

A few months later, individual clips started crossing millions of views.
Now the network averages more than 5 million weekly views.

No photographers.
No court rentals.
No travel expenses.

No scheduling around athletes.
The same virtual player shows up every day.

The audience keeps growing.
So does the revenue.

[genuenci @genuenci]

https://t.co/Qgf0epV2iC

[genuenci @genuenci]

@crytonbuton Physical products with AI-powered design feel like one of the most underrated business models right now.

[genuenci @genuenci]

@crytonbuton Obsidian + Claude is one of those setups that doesn't feel impressive on day one. Six months later, you can't imagine working without it.

[genuenci @genuenci]

@AIFront1er The biggest takeaway for me is that this isn't about AI replacing artists. It's about eliminating the hours spent setting up a scene before the creative work even starts.

[genuenci @genuenci]

THIS AI GIRL NEVER MISSES A SHOOT.
Her creator says she brings in over $7,000/month.
No cameras.
No studio.
No retakes.
Just realistic talking videos where she appears in luxury outfits, speaks naturally to the camera, and looks almost impossible to distinguish from a real creator.
Here's the workflow:
→ Claude writes the complete script, facial expressions, gestures, and camera directions before a single frame is generated.
→ GPT Image creates a consistent AI model with the same face, hairstyle, and body proportions across every video.
→ The wardrobe is generated separately, allowing dozens of premium outfits without another photoshoot.
→ Kling animates every scene with natural eye contact, lip sync, subtle head movement, and realistic body language.
→ A realism pass adds skin texture, fabric wrinkles, soft lighting, and tiny imperfections that make the footage feel authentic.
→ Color grading matches footage from modern smartphones instead of polished studio cameras.
The biggest mistake most people make?
They focus on making the AI girl look beautiful.
Successful creators focus on making her feel believable.
Tiny pauses.
Natural blinking.
Small smiles.
Imperfect movements.
That's what keeps people watching.
According to her creator, brands and businesses pay for personalized promotional videos, recurring content, and licensing the same AI spokesperson across multiple campaigns.
One virtual creator.
Unlimited content.
No filming schedule.

[genuenci @genuenci]

Meet Dnipro’s newest barista - and it doesn’t take attitude from anyone. 🤖☕

A Ukrainian startup just installed an AI-powered robot kiosk at Apollo Mall that brews coffee, sells desserts, and actually talks to customers. Built by RoboL Robotics, the kiosk was previously tested only in lab conditions - this is its first real-world deployment, handling the chaos of an actual shopping mall crowd.

It’s not just a coffee machine. The robot uses AI to read its surroundings and adjust its behavior in real time. During an air raid alert, it noticed people’s reactions, asked what was happening, then advised customers to head to a shelter.

It also has zero tolerance for bad behavior. Founder Anton Kotik shared that when a group of teenagers started cursing at the kiosk, it simply refused to make their drinks. That’s not a glitch - it’s a deliberately built-in response to inappropriate behavior.

Demand has been growing steadily since launch, though the tech isn’t flawless yet - occasional crushed cups or underfilled drinks happen, and those orders get remade or refunded.

Right now it’s purely a pilot, testing both the tech and whether people actually want this kind of service. If it works out, RoboL plans to scale up and take the concept to international markets. 🌍

[genuenci @genuenci]

@AIFront1er When software becomes your workforce, scaling starts looking very different.

[genuenci @genuenci]

@misat0x There’s no way without it)

[genuenci @genuenci]

Meet Dnipro’s newest barista - and it doesn’t take attitude from anyone. 🤖☕

A Ukrainian startup just installed an AI-powered robot kiosk at Apollo Mall that brews coffee, sells desserts, and actually talks to customers. Built by RoboL Robotics, the kiosk was previously tested only in lab conditions - this is its first real-world deployment, handling the chaos of an actual shopping mall crowd.

It’s not just a coffee machine. The robot uses AI to read its surroundings and adjust its behavior in real time. During an air raid alert, it noticed people’s reactions, asked what was happening, then advised customers to head to a shelter.

It also has zero tolerance for bad behavior. Founder Anton Kotik shared that when a group of teenagers started cursing at the kiosk, it simply refused to make their drinks. That’s not a glitch - it’s a deliberately built-in response to inappropriate behavior.

Demand has been growing steadily since launch, though the tech isn’t flawless yet - occasional crushed cups or underfilled drinks happen, and those orders get remade or refunded.

Right now it’s purely a pilot, testing both the tech and whether people actually want this kind of service. If it works out, RoboL plans to scale up and take the concept to international markets. 🌍

[promptix @promptixAI]

THIS ROBOT JUST STARTED TAKING ONE OF THE HARDEST JOBS ON EARTH.

For years, bricklaying was considered one of the safest professions from AI.

Too physical. Too unpredictable. Too much skill.

Not anymore.

This humanoid robot isn’t working inside a lab or a factory.

It’s laying real bricks on a real construction site.

It spreads the mortar.

Places each brick.

Checks the alignment against the guide line.

Then moves on to the next one.

Brick after brick.

Construction is one of the world’s biggest industries, yet it’s struggling with labor shortages almost everywhere.

Now imagine what happens when robots can work all night…

Never get tired.

Never call in sick.

Never ask for overtime.

Today, it’s building one wall.

A few years from now, it might build an entire neighborhood.

This isn’t a futuristic concept anymore.

It’s the beginning of construction being automated—one brick at a time.

[genuenci @genuenci]

@P1eSenb The product isn't the BMW. It's the feeling of "what if" packaged into eight seconds.

[genuenci @genuenci]

@misat0x Confidence is becoming cheaper than correctness. That's a dangerous combination for autonomous agents.

[genuenci @genuenci]

@misat0x Exactly😅

[genuenci @genuenci]

One theme park built its whole ad campaign around a woman who does not exist and watched attendance jump 34 percent in one season.

No actress. No campaign shoot. No day rate, no wardrobe truck, no 6 AM call time.

The park generated her instead: same smile, same red windbreaker, standing in front of every ride, every entrance, every sunset shot the marketing team needed.

One coaster. 50 different angles. One face, on every billboard, every TikTok ad, every park map insert.

A real campaign like that runs $200,000 to $500,000 for talent, travel, and reshoots. Hers ran on a render queue and a handful of prompts.

Ticket sales up 34 percent. Season pass renewals up higher than that.

She has never once ridden the ride she is famous for.

[genuenci @genuenci]

https://t.co/Qgf0epV2iC

[genuenci @genuenci]

@AIFront1er The gap between "I have an idea" and "it's live" keeps shrinking.

[genuenci @genuenci]

@AIFront1er And that's why the biggest winners probably won't be the companies with the best AI—they'll be the ones that understand people the best.

[genuenci @genuenci]

One fishing rod seller multiplied sales more than 10 times with a single AI model he built himself.

No influencer deal. No sponsored angler. No $3,000 lifestyle shoot on a lake at sunrise.

He built one AI model instead: cowboy boots, fresh morning air, a rod in hand, standing on the exact dock his customers picture themselves on.

Same rod, 30 different mornings. Same face, every scene generated, none filmed.

Listings that used to move 2 or 3 sales a week now move dozens a day.

The old way cost a photographer, a location, a model, a flight to a lake somewhere. The new way cost one prompt, run overnight.

He didn’t sell a better rod. He sold a better morning.

[genuenci @genuenci]

https://t.co/Qgf0epV2iC