Gregorio G. Karman

Person with love, fear, convictions, doubts. Sonic tightrope-walker. Ex-Director of the Electroacoustic Music Studio at the @AdK_Berlin. Tweets EN/DE/ES.

[Valle de Valdeón @ValleValdeon]

¡!NECESITAMOS MEDIOS AEREOS DE EXTINCIÓN!!

¡¡NECESITAMOS BRIGADAS FORESTALES!!

¡¡NECESITAMOS A LA UME!!

@UMEgob
@Defensagob @naturalezacyl

#IFBarniedodelaReina #Leonesp #picosdeeuropa

[Magnolia @10abril1968]

Los Picos de Europa 😞

Me piden dar difusión a este vídeo por la falta de medios.

¡Por favor máxima difusión a vuestros contactos!

[Evil & Dr.K @evilndrk]

@tagesschau https://t.co/m44zxq8DM3

[Evil & Dr.K @evilndrk]

Sound as Liberation: https://t.co/ROfnGJ5eJ3

[João Pais @jmmmp]

Offer to professional music editors/composers fled from Ukraine and currently in Berlin: if you need a place and equipment to do your work, check out @notengrafik website https://t.co/rPK6HgSth5

[Gregorio G. Karman @ggkarman]

@jungeohren Der Link https://t.co/8UzsgmFWsB :-)

[Gregorio G. Karman @ggkarman]

@jungeohren Kool, aber der Link funktioniert bei mir nicht.

[Paul Goslawski @p_gosl01]

Die dunkelste, schlimmste, abscheulichste Seite der Menschheit/ eines Menschen … Putin!
Niemals vergessen !

[Deutscher Musikrat @DMusikrat]

Solo-selbstständige Kulturschaffende können im Rahmen der Neustarthilfe 2022 wieder Fördergelder bis zu 4.500 Euro beantragen. Voraussetzung hierfür ist ein Verzeichnen pandemiebedingter Umsatzausfälle. Mehr unter: https://t.co/5IgWWVUfcZ

#DMRService #resume #Neustarthilfe

[Radio Arts @expandedradio]

Radio Art Residency Weimar 2022 @radio_artWeimar Deadline Jan 31st https://t.co/GM7ZOQfcsR

[Petra Grosskopf 🇪🇺 @Apeg44]

On the afternoon of 30 December, Gottfried Michael Koenig died at the impressive age of 95.
a quote from himself:
“every technical process is thinkable, composable, playable, audible.”
(Bilthoven Course 1961/62)

[Gregorio G. Karman @ggkarman]

Arbeitsstipendien Ernste Musik und Klangkunst - https://t.co/8T3K9AEE5e https://t.co/48KbuGQsfV

[Gregorio G. Karman @ggkarman]

@lukejnickel I find it hard to believe that this is not already a target in the sights of these companies: music that can be exploited without having to pay royalties.

[Gregorio G. Karman @ggkarman]

@lukejnickel In fact, this is what large streaming corporations do all the time. Wait until they start composing.

[Gregorio G. Karman @ggkarman]

@lukejnickel The answer to this dilemma depends on what one defines as (artificial) creativity. I don't think an unequivocal answer is possible, but it will certainly change the rules of the game.

[Gregorio G. Karman @ggkarman]

@NassauWillem