(2/2) I couldn't be more pleased with the creativity, skill, and care that @gkampolis offered in taking such stunning images. 📸
Can't to dig deeper into the world of Pierrot and tour it w @HEB_Ensemble !
10 Sept @LammermuirFest
11 Sept @perthTCH
21 September @CathedralFest
(1/2) I recently posed for portraits based on Schoenberg's Pierrot Lunaire, taken by brilliant photographer @gkampolis . We took bits of text (like blood of the consumptive in the Valse de Chopin, or the snowy fleck of moonlight in Der Mondfleck) to choose lighting and costume.
(2/2) Take a listen to some uncanny and mystical avian sounds, and please do consider purchasing this curious collection of soundscapes. ☺️
Music from Spideag, second track of Otsego
Album artwork by @gkampolis
https://t.co/amRAqoKdzT
(1/2) Out now: OTSEGO, an album of improvised music for voice, flutes, and electronics ⚡
Featuring myself @cantainn and @electromacd , this album was recorded live at @stereoglasgow and is now available on @Bandcamp for £5! @newmusscotland
https://t.co/amRAqoJFKl
Happy #InternationalWomenInEngineeringDay! 🚀💡🔧
Let's celebrate the remarkable contributions of women in engineering & their impact on improving lives. Meet some of our brilliant women engineers 👉 https://t.co/NmsqxFCZ8Z
#INWED24#WomenInSTEM
As it’s so often the case these days, my country is giving me more and more reasons never to return. How many more people will have to die this time? How many more hate crimes can this society tolerate? #greece#GDtrial
https://t.co/j3pCXmkOlg
This exhibition with film, sound and sculptures will be at the @ikongallery in Birmingham 10 May - 9 September. If you are in or near the area, do stop by!
Hair & makeup by Natalie Kinsella
Top costume & arm by Roisin Gartland
Skirt by @AlisonConneely
https://t.co/aXemSEegf7
So excited for the opening of MIRROR MARTYR MIRROR MOON at @ikongallery !
This installation created by Jesse Jones presents Artemisia Gentileschi, Hypatia of Alexandria & St Catherine as archetypes of feminist resistance. I sing and act in the work!
https://t.co/aXemSEegf7
Here's Rebecca Saunders' visceral duo for voice and bass flute, O Yes & I - @cantainn and I bit into this at @eca_edinburgh in a duo concert described by Edinburgh Music Review as a "demanding and fascinating taste of contemporary art" 🔥
Full video link: https://t.co/zNFefx1pYu
@hackmdio@NicolaSergienko@AcademicChatter Ok looks interesting and made an account. But the free tier is limited to 20 pushes to Github and I don't see an academic/student option like Notion and other tools offer. Did I miss it?
Shoutout to anyone who moves to another country to follow their dreams. Adapting to lang/env/cultural differences whilst studying/researching is not easy.
It can be difficult for those who have never done this to appreciate how big that is. It's incredibly impressive.
3) [cont'd] The Rate of Change of Frequency is clearly different at various stages before and after the frequency nadir, which is to be expected to an extent. But how fast can assets stop contributing to generation once they are committed? [9/9]
Becoming aware is not the same as when the root cause took place of course, so some delay is completely understandable.
A follow-up SMS indicated that the cause of the power cut was a fault in the underground cable network near the Klevinside Primary substation. [3/9]
3) Is there any way to find more information on the utilisation of ancillary services and assets being committed and how these were scaled back once the trip happened? [cont] [8/9]